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...should say, "We are never concerned enough with our appearance!" But it has become so important, how we look to others. Sometimes it is too much. We can be fine in life without the latest Armani dress. We can be happy just seeing a film with friends. But this is the trend now, to worry about our appearance...
...Hugger in Chief didn't start the trend. At work and at school, even on first introductions--at least among the latest inhabitants of The Real World--the hug is gaining ground on the handshake. There are many iterations, including the hip-hop hug (a manly shake-and-squeeze combo), the ass-out hug (an awkward ordeal that precludes genital contact) and, for someone you're really close to, the full frontal (your standard bear hug). The big squeeze has been on the rise at least since 2006, when the Free Hugs campaign exploded worldwide. It got another boost last...
...scientist can bear.” However, Purcell admits that despite her frequent collaborations with natural historians, she has encountered difficulties in attempting to reconcile her approach with scientists’ when depicting biological collections.“Egg and Nest,” Purcell’s latest exhibition, opened yesterday. It will be on display through March 15. The exhibition features images of the eggs and nests of various bird species. Photographed from a collection of the Western Foundation of Vertebrate Zoology in California, the pictures attempt to enhance the visual beauty of natural history collections. For example...
...ron” Giles remains a shining beacon of arrogance in pastel paisley and a candy-colored Escalade. Still, it’s been over three years since the swaggering MC scored a mainstream hit, and a newfound modesty is on display in the video for his latest single, “I Hate My Job.” “Ain’t no money for no shoes or purses here,” Cam’ron raps about his meager paycheck. This presumably leaves little to no money for video production—it?...
...rock duo, have always seemed to hold to their well-established sound. The two-man band has made four full-length albums since their debut, “The Big Come Up,” in 2002, hardly altering their spare, heavy blues between their first album and their latest, “Attack & Release.” Too unprocessed and deferential to have any place in the pop world; too no-nonsense and slow to really belong in the world of indie rock; and lacking a “Seven Nation Army”-style breakthrough hit, the Keys...