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...course in high school. At 14 he joined Koleda, a local, semiprofessional Balkan dance group, where he stomped out the folkloric rhythms. Three years later he went to Madrid and spent six months studying flamenco. After he returned to the U.S. his performing experience continued to be wildly varied: Lar Lubovitch, Laura Dean, Eliot Feld. He never stayed anywhere very long. His own group began coming together five years ago. Like their leader, most Morris dancers are not built along strict classical lines. For one thing, they must be strong. In his choreography, everybody lifts everybody else, men and women...

Author: /time Magazine | Title: Dance: Seattle's Young Spellbinder | 3/31/1986 | See Source »

...lar, your clairvoyance...

Author: By Nadine F. Pinede, | Title: A Theory of Negritude | 3/16/1984 | See Source »

...round the Maypole on May Day. It was during one of these festivals that a cast-aluminum figure of Icarus was hung from the top of a 34-ft. vault, where it remained for many months. The symbolism was perhaps unintended, but telling. The ambitious reach of these so lar-crazed Soleri followers still far exceeds their grasp. "I only hope Arcosanti will be finished before I pass on," Jeff Charroin, 20, says earnestly. Adds Ann Whitehill: "Maybe it will never be built, because we'll probably all be blown up before then. But at least at Arcosanti...

Author: /time Magazine | Title: In Arizona: A City Has to Be Built | 8/18/1980 | See Source »

...commercials unbashedly make Mobil's point of view quite clear. Featuring, besides the American Ballet Theater, such performers as the Pilobolus dancers, Shields and Yarnell, and the Lar Lubovitch Dance Company in roles as animals and other fable characters, they present allegories for modern business situations that cannot be considered "subtle." The fables are hard-driving. One declares that "nothing cripples innovation and enterprise like heavy-handed regulation." Another describes an ideal society of animals, played by Lar Lubovitch dancers in sparkling and outlandish costumes. The storyteller for the three-minute dance-and-cartoon visual presentation tells of an elephant...

Author: By Stephen R. Latham, | Title: Once Upon a Corporation... | 2/15/1980 | See Source »

...from a series of Mobil newspaper ads, has enlisted such talents as the American Ballet Theater and Mimes Robert Shields and Lorene Yarnell to act out his messages. One of the most elaborate of the spots, the tale of a misunderstood elephant, combines cartoon animation, costumed frolicking by the Lar Lubovitch Dance Company and a clever voice-over (see box). In another, the A.B.T. dances out the story of a squirrel who was good at finding nuts...

Author: /time Magazine | Title: Television: Sponsorship and Censorship | 2/11/1980 | See Source »

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