Word: lapsley
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Female Support: Alison Keith, as Lady Jane in Gilbert and Sullivan's "Patience" (G & S Society); Peggy Lapsley, as Mrs. Gobineau in "The Medium...
...does Ted McCagg at 5. Two sophomores from last year's starting frehman crew, Jim Leonard and Peter Tulloch, will row at No. 4 and 3 positions. Tom Nuzum, another sophomore, whom Love tried ut at stroke earlier in this year, will row 2, and captain Jack Lapsley will round out the boat at bow. Bob McLaughlin will...
...three principals are supported by Peggy Lapsley, Walter Farnham, and Eleanor Mayher, who play loyal believers in the medium's powers. Music Director Bernard E. Kreger has ably welded them into a clear, understandable ensemble, and all three, but particularly Miss Lapsley, perform with distinction...
...introductory work, The Telephone, is a decidedly slight but pleasant little opera buffa which relates a young man's troubles in proposing to his girl. She, it appears, would rather talk into the phone than to him. Peggy Lapsley sings the role of the communicative young lady and Bruce MacDonald comes onstage to play the man. Though Miss Lapsley has a little difficulty in negotiating some of the higher notes, both, on the whole, are more than acceptable...
...numbers after intermission were as well received as their predecessors. Kodaly's Te Deum Laudamus, a massive composition demanding endurance as well as musicianship, was presented with the fervor it requires. Soloists Margaret Lapsley, Marcia Heintzelman, Franklin van Halsema, and Thomas Beveridge were impressive in both vocal quality and understanding interpretation. A brilliant accompaniment was supplied by pianists Jonathan Thackeray and Bernard Kreger. In equally excellent accompaniment by a brass choir from the Harvard-Radcliffe Orchestra highlighted the performance of Jubilate Deo, a robust sacred work by the 16th Century Venetian master Giovanni Gabrieli. The choice of this concluding work...