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...wider sidewalks, the tearing down and renovation of the Square's historical kiosk--a landmark for many years--and the Class of '84 will never get to see Harvard Square as it once was, or one day will...

Author: By Robert O. Boorstin, | Title: Subway Line Extension Brings Changes to Square | 8/15/1980 | See Source »

...have vanished from the Great Hall of the People, where the Communist Party is preparing to hold the National People's Congress. At the same time, workmen are preparing to strip one more huge picture of the late Chairman from the façade of another landmark, the Museum of Chinese and Party History...

Author: /time Magazine | Title: CHINA: Lowering Mao | 8/11/1980 | See Source »

Ever since the landmark Miranda decision in 1966, police have been prohibited from formally interrogating any person they take into custody if he invokes his right to remain silent until his lawyer is on hand. But does that mean officers cannot try to maneuver a suspect into speaking up about his crime in, say, casual chitchat? Yes indeed, the Supreme Court said last week. In a 6-to-3 ruling in a Rhode Island murder case, the Justices declared that Miranda bars "any words or actions ... that the police should know are reasonably likely to elicit an incriminating response from...

Author: /time Magazine | Title: Law: Rights Ruling | 5/26/1980 | See Source »

...special programming for minority audiences. During his years as music director of the Los Angeles Philharmonic, he took the orchestra out of the concert hall to such locations as the all-black Trinity Baptist Church and the federal prison on Terminal Island. The Abyssinian Church, a social and cultural landmark of Harlem, seemed an appropriate starting point for a similar effort in New York. The Philharmonic's director of educational activities, Leon Thompson, certainly approved: he also happens to be music director at the church...

Author: /time Magazine | Title: Music: Harlem Bash | 5/5/1980 | See Source »

...exhibition of "Afro-American Abstraction," being held in the "alternative space" of a rehabilitated New York City school building called P.S. 1, is a modest sort of landmark. It has been some years since any New York museum paid much attention to what black artists were doing. There was a flurry of group shows in the late '60s and early '70s, and then the subject was all but dropped. A few of the artists in the diverse P.S. 1 show are fairly well known through private galleries in Manhattan. Others are not. Though small, the sample is illuminating...

Author: /time Magazine | Title: Art: Going Back to Africa | 3/31/1980 | See Source »

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