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Lectures on the Modern French Drama. IV. La Farce. Les Successeurs de Labiche. M. Gaston Deschamps. Sanders Theatre, 4.30 p. m. Admission by ticket only till 4.25 p. m., then open to the public...
...Deschamps first reviewed the works of Paul Hervieu and analyzed the spirit and motive of the work. Hervieu, in his "Flirt," in "Peints par euxmemes," "L' Armature," "Les Tenailles," and "La Loi de Phmme," has taken his stand as the defender and the champion of the rights of modern woman. He has voluntarily circumscribed the field of his observations to society, the sphere in which woman finds opportunity to show her grace and charm, and to exercise her supremacy. Society life is the life in which he lives in thought, and it is the subject with which he prefers...
...Hervieu believes this adulated idol is far from being happy. He sees her subjected to and caught in "Les Tenailles" of wedlock, and believes here to be oppressed by "La Loi de I'Homme" Against this subjection and oppression of woman, his sense of justice revolts, and from them, through the medium of his writings, has he sought to free here. The Roman law as it is manifested and re-imbodied in the Napoleonic code, appears to him unjust. He would like to emancipate women entirely, and he desires also to have French social legislation framed after the pattern...
Henri Meilhac (1632-1697), and Ludovic Halevy (1834) have published a great many operettas, vaudevilles, comedies, and even ballets and pantomines. They are parodists in "La Belle Helene" (1864), already satiric in "La Grande Duchesse de Gerolstein. In Fronfrou (1869) they attained great success...
Lectures on the Modern French Drama. II. La Question du Mariage et le Theatre contemporain; Paul Hervieu. M. Gaston Deschamps. Sanders Theatre, 4.30 p. m. Admission by ticket only till 4.25 p. m., then open to the public...