Word: lads
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...been that serious about his acting since he was a little lad in a working-class part of London, says his mother Maggie. From her, he inherited his green eyes, a penchant for tattoos (she has one on her back; he has several on his arms) and a love of the stage. She left a job teaching children when she was 40 to study and teach drama. "I don't know how he does it," she says, teary-eyed after seeing Cold Mountain. "I can't see the acting at all." While still in school, young Jude did lots...
Willie's instrument of change is a fat and irredeemably nerdy, irredeemably innocent lad, Thurman Merman (Brett Kelly), with whom Willie moves in. There's a purity about Thurman, earnestly carving Willie a rather phallic pickle for a present, that finally reaches Willie's stony soul. And ours...
...sneakers with a similar strategy: taking international campaigns and tailoring them for the young Indian. For example, an ad campaign in the U.S. for Reebok Classics pictured typical figures of Americana, like a little boy with a baseball bat, clad in throwback simple sneakers. In India, Reebok replaced the lad with a grizzled, bearded snake charmer in a turban--with a flute and a woven, cobra-filled basket--and pristine white sneakers. Sales of Reebok footwear are growing at 30% a year. Rajeev Bakshi, chairman of Pepsico India, pushed the same idea a step further. "We took the variable...
...sneakers with a similar strategy: taking international campaigns and tailoring them for the young Indian. For example, an ad campaign in the U.S. for Reebok Classics pictured typical figures of Americana, like a little boy with a baseball bat, clad in throwback simple sneakers. In India, Reebok replaced the lad with a grizzled, bearded snake charmer in a turban?with a flute and a woven, cobra-filled basket?and pristine white sneakers. Sales of Reebok footwear are growing at 30% a year. Rajeev Bakshi, chairman of Pepsico India, pushed the same idea a step further. "We took the variable...
...about another troubled teen contending with a troubled life. It is similarly handsome and similarly lacking in the overt didacticism that has scored many of Loach's later films, not always to their advantage. Its ending will also remind viewers of Truffaut's The 400 Blows--a lonely lad standing on an empty shore, contemplating a young life gone wrong, a future full of bleak ambiguity. But that obvious reference somehow enhances Sweet Sixteen, unselfconsciously connecting it to an honorable and engaging modern screen tradition. Written by Paul Laverty without a wasted or imprecise word, it refuses to sentimentalize Liam...