Word: koreans
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Dates: during 1950-1959
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Depicting a man who has lost track of himself, the movie occasionally catches up with Taylor. The ramifications of cowardice cannot be treated quite so lightly. On his side are his devoted wife (Dorothy Malone) and his loyal Korean buddy (Jack Lord). Taylor shuffles about Madrid in grim seizures of fear, but they are never convincingly documented. In the end, when he has proved to himself that he can take a cloud or leave it, he wakes up to find himself whole again. The adventure is grand; the mission is accomplished with some frightening sideslips. But the movie fails...
...troubles began in the do-it-now days of the Korean emergency, when top Air Force brass farmed out part of a 2,700-plane order for Thunderstreaks because Republic Aviation Corp. was unable to build the jets fast enough. The Air Force gave the contract to G.M.'s Buick-Oldsmobile-Pontiac assembly division at Kansas City, Kans., agreed to pay the automaker all costs plus a 5.9% profit on an initial order of 71 planes, with the understanding that this cost experience would be used in figuring later profits. As it turned out, said Auditor Powers, in subsequent...
Rain scraps this brand of opiated logic in favor of cold-turkey realism. The movie zeroes in on a nightmare that is real in tens of thousands of U.S. homes. This particular private hell is an apartment in a big Manhattan housing project. Don Murray is a jobless Korean veteran who, through some mischance of war, becomes addicted to morphine while under treatment in an Army hospital. Unaware that he is hooked, his pregnant wife (Eva Marie Saint) cannot fathom his jagged nerves, his remoteness, his all-night disappearances. Neither can his obtuse bartender father (Lloyd Nolan). But Murray...
...Director Anthony Mann tells a modest story of the Korean war with an intimate intensity that makes every theater seat feel like a foxhole; with Robert Ryan, Aldo Ray (TIME, April...
...Director Anthony Mann tells a modest story of the Korean war with an intimate intensity that makes every theater seat feel like a foxhole; with Robert Ryan, Aldo Ray (TIME, April...