Word: knightley
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...Pride and Prejudice” was for girls. I took the script to the pub and by about page 60, I was weeping into my pint of lager. I kind of got funny looks from the blokes at the bar. THC: What struck you about Keira Knightley that connected her to this quintessential Jane Austen heroine in your mind? JW: At first I thought Keira would be too beautiful to play Elizabeth Bennett. It’s the story of a fairly plain girl who gets a catch because of the liveliness of her mind. I went to this hotel...
...clearly not Kansas when Dorothy dons Balenciaga. Pride & Prejudice star KEIRA KNIGHTLEY and minimalist painter BRICE MARDEN are part of an Oz-themed pictorial in next month's Vogue. Annie Leibovitz also shot painters Jasper Johns and John Curren as the Cowardly Lion and the Tin Man. Aren't artists supposed to be prickly, reclusive and, you know, serious? Not when Annie's folks call. "They just told me to bring hats," says Marden, a friend of Leibovitz's. "It was easier than a Gap ad I did once...
...Keira Knightley gives a lapdance within the first 10 minutes of “Domino.” Christopher Walken is referred to as having “the attention span of a ferret on crystal meth.” There’s a naked mescaline-induced sex scene with Knightley in the middle of the Nevada desert. Vengeful mob bosses take cast members of “Beverly Hills: 90210” hostage...
...real Domino Harvey, whom Knightley portrays, was the daughter of British actor Laurence Harvey (“The Manchurian Candidate”) and a Los Angeles bounty hunter. She was recently found dead in her bathtub at the age of 36 after an overdose of painkillers. Scott glamorizes Domino’s life (ignoring her death except for a passing mention in the credits, since it happened during filming) in a pseudo-ironic and very unsuccessful way: he seems to both want to show Domino’s delusional love of her bizarre profession and to seduce his audience with...
...Layer Cake.” The green-and-yellow tint of the film, quick camera cuts (so typical to Scott’s previous “Enemy of the State” and “Man on Fire”), and voyeuristic shots of Knightley function to inculcate the viewer into the sordid world of the bounty hunter, but become hackneyed and visually exhausting...