Word: kittenish
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...elephantiasis. Luckily, there's a raft of new gadgets on the market that use high-tech sensors to help me get a handle on my love handles. During the past month, I've focused on two gizmos that promise to pound the Quittner bod back into its more kittenish shape. One, the cigarette-lighter-size (and awkwardly named) Smheart Link, works with an iPhone to monitor my heartbeat during customized daily workouts. The other, the Bodybugg, measures my caloric expenditure. I recommend each. (Watch Josh Quittner get fit with his web and tech gadgets...
...BêTE HUMAINE JEAN RENOIR Many years later, Renoir described this streamlined 1938 version of the Zola novel as a love triangle about a man, a woman and a locomotive. That sells short the sullen passion that binds sooty engineer Jean Gabin to kittenish femme fatale Simone Simon. An implacable film noir before noir was cool, this is atypical but essential Renoir, and a reminder that subtitles are no hindrance when a great director paints in the visual language of film...
...copies, although no one, not even Twain, seemed to like it. She had visions of being a songwriter, but only one of her compositions made the album. Then her manager got a message from a man calling himself Mutt, who said he had seen one of Twain's kittenish videos while exercising in his London home and was interested in writing songs with her. The manager sent Mutt an autographed photo with generic "Best wishes," unaware that Mutt was Robert John (Mutt) Lange, producer of seven of the 100 best-selling albums of all time. After the mistake was realized...
...pretty stingless these days, but there's still spark in the love triangle in CANDIDA, where the title character chooses the "weaker" of two men -- not the lonely boy inured to pain but the proud public man, used to cosseting. Candida's fail-safe feminist speech enlivens the otherwise kittenish and cloying Broadway debut of Mary Steenburgen, an Oscar winner for Melvin and Howard. But the real joy is watching fellow film star Robert Sean Leonard (Dead Poets Society, Swing Kids) as her coltish adolescent admirer. He brings quiet reality to the most extravagant talk and gawkily comic gestures...
Ruth Brown, who can still shout down the rafters in St. Louis Blues, shows her kittenish side and trademark mock anger in the double entendre If I Can't Sell It, I'll Keep Sittin' on It. Her husky, lisping Body and Soul, however, comes off as a Carol Channing impersonation. Linda Hopkins, a 1972 Tony winner (Inner City), finds dignity in Come Sunday but loses it in her gleeful giggling about wife beating in T'aint Nobody's Bizness if I Do. While Carrie Smith displays a howitzer voice in I Want a Big Butter...