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Molina & Johnson struggle with the limitations of their chosen genre, however, occasionally exhausting their limited supply of musical and thematic tropes. Indicative of the album’s primary shortcoming, “In the Avalon/Little Killer?? is a maudlin piano ballad that falls short of the powerful simplicity that “All Gone, All Gone” achieves, and for which it strives. While emotive and marginally moving, the music is fairly boring, never quite leaving the ground. It is chilling, but only slightly so, and while it maintains the unmediated feeling of someone sitting down...

Author: By Benjamin Naddaff-Hafrey, CONTRIBUTING WRITER | Title: Molina & Johnson | 11/6/2009 | See Source »

...While you may be tempted to show off your Cambridge-style cruising skills, it’s probably not best to drive yourself. In rural areas, livestock tend to wander into the streets; you do not want to be known as “cow killer?? for the rest of your trip...

Author: By Gulus Emre | Title: Drew Goes on Safari | 10/14/2009 | See Source »

...album, the Killers get a little too experimental, creating a train of hyper-mixed tracks and nonsensical lyrics. Because each of these songs lacks a strong beat to hold on to, they have the counterintuitive effect of bleeding together into one incoherent, continuous mess. Unlike with the Killer??s previous album, “Sam’s Town,” Flowers did not make the mistake of calling “Day & Age” “one of the best albums of the past 20 years,” but the record, despite...

Author: By Tiffany Chi, CONTRIBUTING WRITER | Title: The Killers | 12/5/2008 | See Source »

...slump that has included 10 strikeouts. Last night, the captain’s woes continued: Vance went 0-for-3 with a walk, and grounded into two double plays. The second—a comebacker to the pitcher that turned into a 1-4-3 twin killer??erasing senior Taylor Meehan, who had singled to put a much-needed leadoff man on for Harvard in the bottom of the ninth...

Author: By Emily W. Cunningham, CRIMSON STAFF WRITER | Title: NOTEBOOK: Harvard falls to UMass in the opening round of the Beanpot | 4/10/2008 | See Source »

...thinks he’s cool is his half-wit sidekick, Lagrand (Paul Schneider, “All the Real Girls”). Through twists of fate and macabre miscommunication, however, Rugged bumbles into a status upgrade from town peon to local legend and “cop killer?? by the end of the film. “Live Free or Die” follows Rugged through exploits and errors alike, introducing the audience to a cast of likeable but one-dimensional characters who (like the whole of the movie) are initially amusing but fail to develop depth...

Author: By Mollie K. Wright, CRIMSON STAFF WRITER | Title: Live Free or Die | 4/6/2007 | See Source »

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