Word: kicks
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Learning how to kick butt in the world of Japanese martial arts, or budo, has its price. Bruised bottoms and foot soles throbbing with tatami-mat burns are standard badges of honor. But persevere, and these disciplines can boost mental alertness and physical strength, as well as relieve tension...
...monochrome opera house is restored to its glistening prime by a tidal wave of color) and the driving Lloyd Webber score threaten to steal the show away from its stars. Rossum is a virginal, thin-voiced Christine, and Butler, despite a silky falsetto, hasn't got the range or kick for the big sing. There's a climactic moment on the opera house's snowy roof after the Phantom has eavesdropped on Christine and Raoul. He rages, the orchestra whips up a storm, and Schumacher's camera seems to leap off the roof, plunging headlong toward the street below...
...best in Division I-AA. He will not fair-catch, so he is virtually always a threat to return every punt for a score. Henley has had an average season returning punts, but he has not taken one back for a touchdown. Edwards and junior Corey Waller will return kicks for Harvard. Edwards has also had success at kickoff returner, taking back one for a touchdown and averaging 27.5 yards per return. Carr will be Yale’s primary kick returner, but he does not possess the same kind of game-breaking speed and vision as Edwards. Freshman kicker...
With defenders keying on him after a breakout junior season, Edwards has ended up throwing for a touchdown, taking his share of handoffs, and even intercepting a pass when moonlighting as a free safety in a return formation against Holy Cross. He has run back two punts and a kick-off for scores, also, becoming the only person in 130 years of Harvard football to notch touchdowns in four of the five offensive ways. His 143.9 total yards per contest and his total of 1,295 net yards stand a remarkable second on the Crimson only to Clifton Dawson?...
...which again show this rapid shifting of genres: “TRAS3,” containing heavily echoed psych guitars that with a little more echo could potentially be the moody background to a Tool song, puts the listener into a reverie which is startlingly succeeded by the immediate kick of loud and upbeat drums starting “IPT2,” which makes use of numerous heavily-effected guitar and synths, and ends after 1:49, right when it leads the listener to believe a climax is imminent...