Word: keyboarding
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Dates: during 1990-1999
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...ASCII art. Even something as complex as a rendition of the Mona Lisa-composed of letters, semi-colons, dollar signs and other miscellaneous symbols-is possible. ASCII (pronounced "ask-ee") is an acronym for American Standard Code for Informational Interchange. Or, for the computer neophyte, you're standard keyboard text...
...keyboard Richter leans backward at a precipitous angle, arms outstretched, head tossed back and gazing upward, as if toward heaven. The rapture suggested by such a pose separates Richter's artistry from that of his more earthbound contemporaries (although he can generate raw energy with the best of them -- just listen to his performance of the Schumann Toccata). Moreover, in the catholicity of his repertoire (far greater than Horowitz's) and the breadth of his interpretive insight, Richter leaves the competition behind...
...HOLLIS Plus databases do not share a common exit procedure, leaving you to try out different commands until you find the right one. If you find yourself lost in the system, try the commands "quit," "exit," "ex," "q" and "bye". Or try pressing the Escape key on your keyboard, then hitting the "x" key twice...
...Nyman used a Schumann song, Ich grolle nicht, as the musical foundation of the opera to illustrate the eponymous victim's visual agnosia: unable to synthesize visual images, the man relied on Schumann's music to help him apprehend the world. In The Piano, Scottish folk tunes suffused the keyboard reveries that gave the mute heroine Ada her soaringly distinctive if wildly anachronistic voice: the result was a blend of rigorous Minimalism, frank Romanticism and the listener-friendly ecstasies of New Age music...
...Powell did for the piano what Charlie Parker did for the saxophone. Together, and with no small assist from Thelonious Monk and Dizzy Gillespie, they took a hand in fearlessly turning jazz inside itself, then inside out, as they created bebop. But Powell found distinctive melodic nuances on his keyboard. He wasn't as witty and romantic as Nat Cole or as exuberant a geometrician as Art Tatum, both non-beboppers. But he could find a secret, personal vibrancy on a standard like Jerome Kern's Yesterdays, or combine a dark heart with a soaring spirit in such tunes...