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Dvorak: Piano Concerto in G Minor, Op. 33 (Justus Frantz, soloist; New York Philharmonic, Leonard Bernstein, conductor; Columbia; $6.98). Critics frequently poke fun at this stepchild of the late 19th century piano repertory. The orchestral Sturm und Drang, it is said, overpower the naive keyboard design. There is nothing naive about Frantz's virile interpretation, however. The young Polish pianist effortlessly bounces off rippling melodies and roaring cadenzas...

Author: /time Magazine | Title: Music: Classical Records | 2/23/1976 | See Source »

Each card will be checked first against a computer printout of identification numbers. Then it will be inserted into a pre-set encoder, which is a combination keyboard and display screen that costs about $6000. Finally each card will be tested in the $900 readers, which will flash a green light if the inserted card is properly encoded...

Author: By Charles E. Shepard, | Title: Registration Today to Include Encoding of All Bursars Cards | 2/9/1976 | See Source »

...walled-off end of Millett Hall, the Miami U. sports arena-which had surprisingly good acoustics. A burly bear with stooped shoulders, ginger-colored beard and long brown hair that waves up at the neck, Berman came out looking grim and tense. Once he was at the keyboard, all illusions of nerves or cumbersomeness vanished. He sits squarely at the piano, his eyes fixed on the keys, making no theatrical gestures...

Author: /time Magazine | Title: Music: Russian Fireworks | 1/26/1976 | See Source »

...addition to Music 180, Forbes said the department supports performers in two ways: by teaching "basic piano," to ensure that concentrators do not graduate without a minimum competence in keyboard technique; and by granting independent-study credit for music lessons outside the University...

Author: By James Gleick, | Title: Dissonance In the Department | 12/6/1975 | See Source »

...Saturday, October 11, keyboard wizard Rick Wakeman, formerly of Yes, will be appearing at the Music Hall. Upon completion of his "Journey to the Center of the Earth" tour, Wakeman wanted to repay his fans for their loyalty with a presentation they would never forget. Faithful to his promise, Wakeman will transform the Music Hall stage into a medieval circus for his interpretation of the legend of King Arthur, complete with damsels in distress, magicians, and a jousting bout between knights in armor. When asked bout the financial side of this musical fantasia, Wakeman replied, "It'll probably break...

Author: By John Porter, | Title: Rock | 10/9/1975 | See Source »

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