Word: ken
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Kramer already may be playing with the best. Kramer, together with Mills, sophomore Nick D'Onofrio and senior Ken Rouff, compose what Getman believes is "the best attack team in the country...
Three Crimson doubles teams were able to reach the finals, but only one left with the gold trophy. Kumar and Ken Hao whipped a team from Yale in straight sets...
Sophomore Ken Hao upset the number-one seed, Brown's Steve Ryu, 6-2, 7-6 in the quarterfinals, and he advanced to the finals with a 6-1, 6-4 victory over Yale's Dave Keldgord. Hao lost a heartbreaking, 6-3, 6-3 match to Brown's Mariariu in the finals. Paul Palandjian suffered a surprising loss in the quarterfinals...
...July has more elaborate lighting and staging effects than one of those that are moving from city to city every week or two, but the differences are minor. The celebrated catlike movements look more Vegas-like now. In both casts, only the dancers playing the secondary role of Alonzo (Ken Nagy in Washington, Stephen Moore touring) achieve the cool detachment of another species. The singing, although always vibrant, is uneven. In the peripatetic cast Andy Spangler glows as the Elvis-like Rum Tum Tugger and Leslie Ellis is haunting as Grizabella, the faded glamour cat, but in the Washington troupe...
...played Charity on Broadway, the road show's Donna McKechnie -- the original Cassie in A Chorus & Line -- manages to be forever vulnerable without seeming stupid. As the buttoned-down businessman who takes up with her, says he can forgive her slightly checkered past and then finds he cannot, Ken Land is more likable and believable than his Broadway counterpart. As a result, what is virtually an identical show plays louder, faster and funnier -- to cite Centenarian Director George Abbott's hallowed instructions to performers -- and also seems more true. It is as bubbly and brisk and bittersweet as Broadway...