Word: ken
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...Night Editors: Mark M. Colodny '89 Melissa R. Hart '91 John C. Yoo '89 Feature Editor: Martha A. Bridegam '89 Photo Editor: David K. Elden '89 Editorial Editor: Laurie M. Grossman '89 Copy Editor: Sandra A. Block '92 Sports Editors: Julio R. Varela '90 Michael Stankiewicz '90 Business Editor: Ken Richman...
...Onofrio and Dave Kramer. The three led Harvard's potent attack last fall, combining for 25 goals--more than half of Harvard's total (46). Getman played a three midfielder-three foward combination to accommodate the front field strength and plans to repeat the move this season. Senior Ken Ruoff should also challenge for a starting spot...
...Masters '89 John J. Murphy '89 Feature Editors: Brooke A. Masters '89 Martha A. Bridegam '89 Photo Editor: Hector I. Osorio '89 Editorial Editors: Laurie Grossman '89 John J. Murphy '89 Copy Editors: Jonathan S. Cohn '91 Eric S. Solowey '91 Sports Editor: Casey Lartigue '89 Business Editor: Ken Richman...
...ones in the cast -- Carter, Ken Page and Armelia McQueen -- are just as fleshily beguiling as before. They jiggle and strut with weighty grace unseen since the heyday of Jackie Gleason. The skinny ones -- Andre De Shields and Charlaine Woodard -- stomp and slither like sticks turning into snakes. The years have changed nothing except to add emotional texture. McQueen is still cute, but now conveys heartache beneath. De Shields has ripened from Superfly sleekness into a leading man's virility. The biggest change is in Carter, whose widely publicized battles with weight, cocaine and star-size ego have enriched...
...works on display. The obsessions with sex and death that are palpable in his scenes of heavy leather are still visible in the phallic tumescence and mortal shadows of Calla Lily, 1984. The straightforward but unreal quality of the S-M images is there again in his portrait of Ken Moody and Robert Sherman, 1984 -- two hairless heads, one black, one white, an uncanny feeling built from blunt facts. After a while, even the taut compositions of Mapplethorpe's portraits start to look like another form of bondage...