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...well as give them off. After signing up to play three performances for the Met's youthful rival, the New York City Opera, Bing explained how he was chosen for a nonsinging, nonspeaking role in a new production of Hans Werner Henze's The Young Lord: "Julius Rudel [the director] called me and said, 'In the opera, there is an old lord who is elegant, arrogant and distinguished. I think you are just right for the part.' " Mused Bing: "The only other time, I appeared onstage were to announce in front of the curtain that...

Author: /time Magazine | Title: People, Mar. 19, 1973 | 3/19/1973 | See Source »

Prince, a native of Manhattan, was a matinee addict; one of his earliest theatrical memories is of being mesmerized by Orson Welles playing in Julius Caesar at the Mercury Theater. After graduating from the University of Pennsylvania with a B.A. in English in 1948, he so impressed Director George Abbott with his enthusiasm that he was hired as a "call boy," the factotum who tells actors when they are to go onstage. Then, as now, Prince was prone to nervousness, and first night out he lost his voice. After two years off for Army service, he was rehired...

Author: /time Magazine | Title: Show Business: Princely Odds | 3/5/1973 | See Source »

Psychiatrist Theodore Lidz feels that abortion is always "a potential major trauma," and Washington, D.C., Psychiatrist Julius Fogel believes that "a psychological price is paid. It may be alienation, it may be a pushing away from human warmth." In the experience of Los Angeles Psychoanalyst Ralph Greenson, abortion is often followed by a delayed reaction of depression. Oddly enough, the father is more likely to feel guilty than the mother...

Author: /time Magazine | Title: The Sexes: Abortion on Demand | 1/29/1973 | See Source »

...sensual aura, his physical grace and forcefulness, one recognizes the Brando who galvanized Broadway as a young actor in A Streetcar Named Desire in 1947, then went on to Hollywood to make a series of six stunning pictures in five years, including The Wild One, On the Waterfront and Julius Caesar. This was the Brando who in the 1950s struck one of the keynotes of a generation with his romantic outlaw swagger, who influenced a whole school of cooler, more introspective actors like James Dean, Paul Newman and Montgomery Clift, and whose blue-jeaned, motorcycle-riding contempt for the clan...

Author: /time Magazine | Title: Self-Portrait of an Angel and Monster | 1/22/1973 | See Source »

...effects it has on society and culture as a whole. Doctors begged the treatment he received from sheltered quarters. For, not only did he attempt a history of the American Left; he used the trial of the Rosenbergs (in Doctorow, the "Isaacsons") as a jumping-off point. If Julius and Ethel received harsh treatment from the U.S, Government, they were really drawn and quartered by young Jewish literati in the pages of cultural journals still influential today...

Author: By Michael Sragow, | Title: The Sins of Three Generations | 1/5/1973 | See Source »

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