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...opening scenes, but Jonathan Miller has the most noteworthy case of it around today. The English physician turned thespian has once again axed the opening scene of a Shakespearean production, plunging right into the middle of the action without preface. This year's Oxford-Cambridge Shakespeare Company offering, Julius Caesar, like last year's Hamlet, is a stripped-down version, with several scenes, excessive staging, and lavish costuming all done away with...

Author: By Michael Ryan, | Title: Julius Caesar | 1/11/1972 | See Source »

Unlike last year's Hamlet, though, Julius Caesar is a compelling production. It has many of the OCSC's characteristics, especially an unending search for modernism which has been the company's trademark. Many of the approaches to costuming and scenery as well as many of the interpretations of the text which the company has taken are questionable, but the net effect is to give an air of electricity to a play which has often seemed simply unactable...

Author: By Michael Ryan, | Title: Julius Caesar | 1/11/1972 | See Source »

...from even the three-line walk-ons. He simply lacks the physical stature which Brutus requires to dominate the play. There is nothing wrong with Hilton's approach to the role, but his costuming detracts severely from his credibility. This defect changes the entire emphasis of the play. Normally, Julius Caesar is a drama which builds consistently to Antony's eulogy of Brutus, "This was the noblest Roman of them all". In this performance, though, the action of this play is resolved by Caesar's funeral, and the last two acts become denouement, in which Brutus gets his inevitable punishment...

Author: By Michael Ryan, | Title: Julius Caesar | 1/11/1972 | See Source »

...BOOK OF DANIEL, by E.L. Doctorow. A highly dramatic and emotionally intense novel about a brother and sister whose parents, like Julius and Ethel Rosenberg, were tried and executed for treason...

Author: /time Magazine | Title: FICTION: A Selection of the Year's Best Books | 1/3/1972 | See Source »

...ceiling in 1508, he still thought of himself primarily as a sculptor. He worked for years, mostly standing on the 62ft. high scaffolding rather than lying on his back, as hoary legend has it, and was interrupted by cramps, colds and periodic skirmishes with his testy patron, Pope Julius 11. When he finished in 1512, he was justly famous as "the divine Michelangelo." Ever since, writers have gossiped about, art historians studied, painters stolen from, and crowds journeyed to Rome to stare in wonder at the most massive and majestic blend of worldly splendor and Christian message that the Renaissance...

Author: /time Magazine | Title: Books: Deck the Shelves: For $275 and Under | 12/20/1971 | See Source »

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