Word: juliets
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...Tree of Life. Off the lot, Presley couldn't so much as polish Juliet's Thunderbird, for many good reasons, not the least of which is that Frankie got there first. They met on the set of Can-Can. She was "terrified of him," but soon she fell for the bony build, that dimpled chin, those big blue wisecracks. He, in turn, was more entranced than Khrushchev by her cancan, and-in another scene of the film-must have got ideas when she slid sensually down from the branches of the Tree of Life, dressed in blue-green...
...discreet girl with wisdom apparently beyond her 23 years, Juliet keeps her private life to herself, yet openly and offhandedly refers to her evening drives out to Sinatra's Coldwater Canyon home. "We date. But I would not put it as a big romance. We get on very well together. Gossip doesn't worry me. I'm an open person. I've mixed around in this business long enough not to be embarrassed by anything pertaining...
...Left Behind. Juliet Prowse's early, experimental mixing began in Johannesburg, where at eleven she won her first merit certificate-for a Greek dance, "in which I was supposed to be a moth burned by a flame." As "the baby" of Johannesburg's Festival Ballet Company, she appeared at 14 in the corps of Swan Lake, Coppelia and Les Sylphides. Two years later she was the Queen of the Wilis in Giselle, had done well enough to continue her studies in London...
Anton Dolin's Festival Ballet in London turned her down because she was too tall (5 ft. 6½ in.). Switching to the musical theater, Juliet played Princess Samaris in the London production of Kismet. Later, she moved on to an engagement at Paris' La Nouvelle Eve, a nightclub distinguished for its bare dancers, but a motor-scooter accident interfered with her appearance in that particular Eden...
...Italy, working in a sort of roving revue, Juliet met a quiet, handsome dancer named Sergio Fadini. They fell in love, teamed up and toured the European nightclub circuit. Ambitious for her, Fadini helped polish Juliet's acting, her fine singing voice, her sinuous dancing. They were in Spain last year when Fadini heard that Choreographer Hermes Pan was also there, looking for dancers to take back to Hollywood for Can-Can. Fadini himself arranged the interview...