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...warm, expressive voices that exemplify the string quartet. They moved quickly through the music, sel dom speaking, marking cues in their scores, skipping past the easy to bear down on the difficult. Then, with only a brief break to relax from the tension of the severe rehearsal, the Juilliard String Quartet strode to center stage at the Tanglewood Theater-Concert Hall last week, greeted a rapt audience with deep bows, and presented a program of contemporary chamber music played with a unity of excellence that is matchless in the world today...

Author: /time Magazine | Title: Quartets: Conversation of Strings | 8/23/1963 | See Source »

Paducah, Ky. (July 30, 31) and Stillwater, Minn. (Aug. 11). The barge has been christened Point Counterpoint, and its showmanly musical skipper is Massachusetts-born, Juilliard-educated Robert Austin Boudreau, 36. Boudreau's orchestra is almost as unorthodox as its setting. It consists entirely of wind instruments (e.g., oboes, trumpets, French horns), percussion, and harp. Since orchestral music of this sort is a rarity, Boudreau has persistently commissioned and played new works. This gives his orchestra an astringently modern tone, but he tempers it with crowd pleasers like the My Fair Lady score...

Author: /time Magazine | Title: Festivals: Sounds of a Summer Night | 7/26/1963 | See Source »

...Freedom. However much the classicists have tried, the collision of jazz idiom and classical technique has been mainly the work of jazzmen. Dave Brubeck has been an ardent explorer of quiet waters, but the classic case of the Juilliard blues afflicts John Lewis, whose fascination with the baroque and the commedia dell' arte has led his Modern Jazz Quartet into music of great cerebration and even greater anemia. Lewis' music often seems too fragile even to be called jazz; but now a new group of jazz composers has arrived with the claim that they are uniquely "serious...

Author: /time Magazine | Title: Jazz: The Juilliard Blues | 4/19/1963 | See Source »

...fans in New York are concerned, Valenti might just as well have been out of town for the past ten years; even though he lives in the city, constantly makes records (53 albums since 1951), teaches at Juilliard, he gives recitals almost everywhere but home. "I'd rather avoid the rat race in New York," he says. In 1960, his records were withdrawn. Then last November, Valenti played to a packed house at Carnegie Recital Hall, and three of his albums were promptly reissued. Two weeks ago, he played there again, and now Westminster Records is ready to restore...

Author: /time Magazine | Title: Harpsichordists: Such Sweet Clawing | 3/22/1963 | See Source »

...implications which are pretty dear to us. It's a satire on the obsolescence of today's society. We're sending out a brochure to see if we can get competition started all over the world. We'll start with the Paris Conservatoire and the Juilliard School of Music...

Author: /time Magazine | Title: Education: Piano Lesson | 3/1/1963 | See Source »

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