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...second half of "Billboards," featuring thechoreography of Margo Sappington, then PeterPucci, elevates the energy , especially the sexualenergy five different songs with a brilliantlycohesive and magnetic flair. Sappington's workexplores the joy and sensuality of desire, as wellas its conflicting emotions. The talent of theJoffrey dancers shines in these segments,especially the duets and trios. Their mix ofartistry, athleticism and technique combinemagnificently in brining out the excellentchoreography. "Willing and Able," by Pucci,features an incredibly erotic duet between JodieGates and Peter Gardner, who, if they ever havetheir hands off of each other, are reaching outfor another embrace...

Author: By Clarissa A. Bonanno, | Title: Princely ballet | 3/10/1994 | See Source »

Almost 15 years ago, Updike, writing in the New Yorker (when it was the New Yorker), observed that a book was "a demonstration of the the mind's play and a reexcitation of our joy in the word." He was, of course, right...

Author: By Lorraine Lezama, | Title: Authors And Acolytes | 3/8/1994 | See Source »

...only pain, as I can attest, from such a moment as Farrell's goal is the extremely hoarse throat I got from screaming and the sore feet I got when I stomped up and down on the floor out of joy...

Author: By David S. Griffel, | Title: Radio Waves | 3/8/1994 | See Source »

...tires. For two days, they rowed and drifted in the Gulf Stream without food or water. On the second day, shortly before the rescue, they spotted another group of balseros. Odalis Peres Lopez, a 27-year-old housewife, was on that second raft. She recalls yelling and crying with joy as Domaniewicz circled above. "When we saw that plane," she says, "we knew we were in the land of freedom." In tribute to same, Castro plans to drop the "Fidel" from his name...

Author: /time Magazine | Title: Dispatches: Desperate Straits | 3/7/1994 | See Source »

...welcome sign of nature. She is radiant in her servitude; her toil gives her joy because it allows her to see in closeup how the world grows. She is enthralled to slice open a papaya, or watch an ant carry its backpack of crumbs. And with the same fascination, but etched in loss for her own child, the mother watches Mui. At night, as a breeze whispers through the sheer canopy on Mui's bed, the girl says the word mother in her sleep. The mother of the house, eavesdropping on this intimacy, dries her own tears on the canopy...

Author: /time Magazine | Title: CINEMA: Sweet Dreams From Vietnam | 3/7/1994 | See Source »

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