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Word: joying (lookup in dictionary) (lookup stats)
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...ways of telling a story. This is a slightly different one than the last one, and to work with Tom, you get everything. You get all the benefits of a character, and all the benefits of a person that can represent love, and it’s just a joy...

Author: By Richard Ho, CRIMSON STAFF WRITER | Title: Cruising with Tom and Cam | 12/7/2001 | See Source »

...characters had been written, and what I found that it came down to was letting every character—not just the women characters—have their private moments, where you could just be with them and see how they react to the world, and see their private joy and pain. Kate and Penélope both have this great ability to make you feel like you were watching them live a whole life, or say a whole huge speech, but really they were saying nothing, and you’re just watching their face. And that?...

Author: By Richard Ho, CRIMSON STAFF WRITER | Title: Cruising with Tom and Cam | 12/7/2001 | See Source »

...Thomas’ life becomes highly complex, and he keeps up the charade for no explicit reason, except that he is simply too weak to knock off a couple corners of his triangle. This is most certainly the crux of the story’s charm. Schlink takes incredible joy in keeping Thomas’ motivations unclear. Though this makes “Sugar Peas” far less believable than the other pieces, it also makes it infinitely more fascinating. Schlink asks the reader to come up with the answer in “Sugar Peas...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Layers of Love | 12/7/2001 | See Source »

Through his re-creation of ground-breaking experiments by famous scientists, Sacks experienced first-hand the joy of scientific discovery. Through the author’s lucid prose, the reader also experiences the individual sparkles of a young excited mind...

Author: By Thalia S. Field, P. PATTY Li, Frankie J. Petrosino, and Stacy A. Porter, CRIMSON STAFF WRITERSS | Title: New Books | 12/7/2001 | See Source »

Audience members will recognize elements of themselves in Point, which is what helps make Yeomen so powerful. Though the psychology of his character is troubling, Zahr is a joy to watch—and he is not the only actor on stage with considerable presence. Yet the piece is still unmistakably Gilbert and Sullivan: the operative words remain comedic diversions...

Author: By Eugenia B. Schraa, CRIMSON STAFF WRITER | Title: Yeomen of the Guard | 12/7/2001 | See Source »

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