Word: josef
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
This summer, in an attempt to recapture Wieland's spirit of adventure, Wolfgang relaxed the family's autocratic grip on Wagner's monument by allowing Director August Everding and Designer Josef Svoboda to stage The Flying Dutchman. Everding, 40, is the di rector of Munich's Kammerspiele, one of Europe's most highly regarded repertory theaters. Czechoslovak Svoboda, 49, is famed both for his mastery of lighting techniques (he was one of the leading figures of Prague's celebrated Laterna Magika) and for startling stage designs (TIME, July...
...object of the townpeople's scorn. The economic theme in this plot, closely related to the real and feared decline of the German middle classes in the 20's, satisfyingly gives American film critics one of the few social facts in their consciousness. No wonder they include they include Josef von Sternberg's first sound film with the works of Lang, Murnau, and others...
BAYREUTH (July 25-Aug. 28) offers a new production of The Flying Dutchman, conducted by Silvio Varviso, staged by August Everding and designed by Prague's Josef Svoboda; the late Wieland Wagner's staging of Parsifal, Tristan und Isolde and the Ring; Brother Wolfgang's production of Die Meistersinger...
...Mandragora, the Machiavelli farce. Czech acting at its frequent best combines an animal energy with the timing of aerial acrobats. Czechs make superb comedians, and have that highest comic skill-to slip with a flash of the eye into the tragic mask. Czech direction is passionately intelligent. In Architect Josef Svoboda, they have the most imaginative stage designer working anywhere today...
...Gropius founded the Bauhaus in Weimar, probably the most stimulating and revolutionary design school of all time. Artists Paul Klee, Josef Albers and Wassily Kandinsky taught alongside Architects Marcel Breuer and Mies van der Rohe, among others, sharing their excitement with one another and the students. They brought together all the arts: weaving and furniture-making, as well as graphics, painting and architecture. Their work, regardless of medium, material or size, recognized the force of industrialism and the beauty of the machine. It was an entirely new way of looking at the world...