Word: joel
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With some vocal exceptions, students generally took the marriage more calmly than did their elders. Even at the University of Texas in Austin, Lloyd Doggett, president of the student body, seemed to speak for the majority when he said: "Everybody has a right to marry whom he wants." Joel Connelly, a Notre Dame junior, thought: "Everyone will stare at them. But I think they can make a go of it. They had the guts to take the biggest step." A participant in a Grinnell College seminar reported: "Everybody thought it was wonderful...
...Joel Fort, a San Francisco psychiatrist and frequent marijuana defender, stated that the drug causes no basic personality change, does not lead to sexual excess, and does not lead to progression to other drugs. Dr. Nicholas Malle-son, member of Britain's advisory commission on drug dependence and currently a visiting professor at M.I.T., agreed and added that it is not even psychologically addictive, "unless you would call my desire to go home after a day's work to have a gin and talk to my wife a psychologically dependent habit...
...Oteri has paraded a series of impressive witnesses before Judge Tauro, like his first star, Dr. Joel Fort of San Francisco, who said that drug use is "pervasive in American Society"--30-50 per cent of the urban college population have used pot. He also said that marijuana is practically college population have used pot. He also said that marijuana is practically harmless and in some cases beneficial...
...cribbed from something else these days, but one exception this year is How Now, Dow Jones, a Wall Street flyer by Max Shu!man with tunes by Hollywood's Elmer Bernstein. There will also be slices of several lives: George M., with Cohan's own songs and Joel Grey (Cabaret) in the title role; Dumas and Son, with score based on themes by Saint-Saĕns; and Fagade, starring Vienna's Marisa Mell as Mata Hari and staged by Vincente Minnelli...
...Beethovan Mass in C, Op. 86, Joel Lazar's Cantabrigia Orchestra joined the chorus to give a performance which had moments of both inordinate inspiration and egregious sloppiness. Coordination between the two forces was haphazard, this due to Schmidt's sacrificing clarity of beat in favor of a continuous, feverish intensity of motion. He huffed and he puffed, he grimaced with grief, he smiled with beatific joy. Sometimes he succeeded (usually in fortissimo passages), but most often he was unable to convey any unified conception of this difficult and eccentric master-piece. Of the four vocal solists, Barbara Wallace...