Word: joel
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...Lady Vanishes. Mention a Hit-chcock title and you'll instantly flash on to a scene that has seared its way into your memory: Joel McCray threatened by the enmeshing gears of a windmill in Foreign Correspondent; the assassin's gun poised in mid-air amidst the concluding strains of a London orchestra in The Man Who Knew Too Much; or the ultimate vision of the master, the boydless hand ripping away the shower curtain in the nightmare-provoker of all time, Psycho. This truism does not apply to The Lady Vanishes for some reason I can't quite fathom...
Over at 3 Church St.--also at 8 p.m.--The Cambridge Forum gets under way with the topic "Should We Help Establish a Palestinian State?" Associate professor of Government Joel Migdal will take the affirmative. Migdal is presently completing a study of changes among West Bank Palestinian Arabs under the impact of military rule since the 1967 Arab-Israeli War. He will debate Boston Israeli Consul Colette Avitel. (Tickler: Fear and Loathing comes to Cambridge a week from today...
Mather House will contribute two official entries--sophomore David Sullivan and Joel Arnason, a junior. Sullivan also qualified in the Silver Lake Marathon, running a 2:47.48 in his first effort. Sullivan, who has a track and cross-country background said last week there's some pressure to the race: "All these people keep telling me that they're going to come down and watch me and Jeez, what if I drop out? I tell everybody that it's my problem, not theirs. After it's all over I'm going to get drunk...
...other two Harvard doctors involved in the study are Dr. Kenneth R. Davis, assistant professor of radiology, and Dr. Joel H. Mendelson, professor of Psychiatry...
...umbrella shop coyly allowing herself to be seduced; the repressed sister of a Bible salesman peeping at the visiting painter as he undresses for the night; a prostitute, before taking on a customer, matter-of-factly washing his genitals in the sink along with the dishes. But Joel Seria is the kind of literal-minded director who, when a character has to leave his car, cross a road, cut along a field and knock on the door of a house, follows him with the camera every tedious step of the way. The painter may want to be behind his subjects...