Word: joe
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Borrowing the idealism of Frank Capra movies and the cynicism of Preston Sturges comedies, but not near those old masters as an entertainer or political guru, Stern suggests that the real hero is the ordinary Joe who goes to the polls and votes these rascals in. Swing Vote has aspirations to be Molly--or, in a pinch, Bud. But it's closer to the parties' idea men, trying to guess what the people want, then desperately laying it on. That leaves Costner, for all his charm and flinty ambiguity, a loser in this poll...
...Liam Neeson sits on a bed on the left side of the stage; on the right side is a blank wall on which his face is projected in closeup, as a woman's voice softly, insistently works its way into his head. "Anyone living love you now, Joe? Anyone living sorry for you now? That slut that comes on Saturday, you pay her, don't you? Penny a hoist, tuppence as long as you like." Once another woman did love him, and he shrugged her off, and she tried killing herself several ways, until one worked. And Neeson stares ahead...
...Happy Days to the 40-second Breath. That two-week event provided New Yorkers with what may have been their greatest theatrical experience of the decade. This time the Gate's artistic director, Michael Colgan, presented three pieces from Beckett's writing for other media: TV, for Eh Joe (Neeson), the short story, for "First Love" (Fiennes) and the novel: Barry McGovern's tour-de-force I'll Go On, a distilling of the Beckett novels Molloy, Malone Dies and The Unnameable...
...story, the TV show and the novels are all monologues, thus suitable for reading. And all take place in what the woman's voice in Eh Joe describes as "that penny farthing hell you call your mind." Some of Beckett's characters may never understand the harm they've caused or allowed, until "the agenbite of inwit" - a medieval phrase, often used by Beckett's mentor, James Joyce, to refer to the remorse of conscience - forces them into self-knowledge, into an act of contrition. In Eh Joe Neeson's face hardly moves a muscle; the play's director says...
...Best Vehicle: Attack-mode KITT. Competition was stiff in this category, what with Nite Owl's ship, Bond's Aston Martin and some sort of GI Joe digging device on the floor. But this Mustang on steroids designed for NBC's new Knight Rider boasts Lamborghini doors, a top speed of 377 m.p.h. and, most importantly, turbo-boost. All that vehicular decadence helps us forget about $4/gal...