Word: jobs
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...advance, let them call the turn now for next year's game in Cambridge and tell Mr. Moore how it ought to be done. If they can do that and not have a ton of criticism on their heads, then the famous Terry can step into Bob Fisher's job as coach of the football team right...
...printing, instructions for allotment, etc., are not made after the various early games draw unprecedented crowds. The real decisions must be made in the good old summer time. It stands to reason that the Athletic Association is showing in this refunding, ought to convince anyone they know their job: Even in this disagreeable piece of work, the Association shows consideration for the applicant down to the last detail...
...curious that Boston's long quarantine from good plays should be lifted all at once with a veritable epidemic. With "He" at the Hollis. "Anna Christie" around the corner, "Captain Applejack", the Opera and above all Stuart Walker's remarkable "Book of Job", the week's offering is richer than it has been at one time for many seasons. Which will win the multitude, it is hard to forecast; at any rate, Andreyev's last play, "He Who Gets Slapped", merits most interest from lovers of the strange and the artistic in the theatre...
From the great human Bible poem, questionably dramatic, though mightily poetic, Stuart Walker has fashioned a stageable dialogue, shaped it into ordered climaxes, and presented it in a visible form of the greatest beauty. A dual prologue sets forth the circum- stances. Job himself, on his ash-heap, discloses the tortures of his body and mind, and listens to the pronouncements of his miserable comforters. Eilhu comes at last with youthful words of sympathy; the Voice of the Whirlwind makes known its will, and the Epilogue relates of Job's reward. That is all; no action, only dialogue in long...
...George Sommes, as Job, uses a trained voice, feeling gesture, and deeply thoughtful modulations, to bring subtle variety of mood and thought into an almost motionless stage-picture. Scene follows scene with scarcely a change of position, each motion of arm or body being made to serve for deepest significance. The three misunderstanding friends, and Eilhu too, are individualized and play their parts each in perfect key; this must be, or the play would never carry. The lighting, mechanically perfect, seems to grow from the characters themselves, shifting with their mood, and always throwing the picture into the most appropriate...