Word: jeremiads
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Dates: during 1980-1989
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...away his script and improvises a coruscating sermon. Celebrities become the graven images of this slack age, and on their well-coiffed, carefully blow-dried heads he calls down fire and brimstone. Others have drawn up the formal indictment against the cult of celebrities. Schickel offers a white-hot jeremiad. In idolizing and loathing the celebrities we conspire to create, we bury real humanity. Woe unto the celebrities whom we are so good at killing, he warns, and woe unto us. Is there an answer to this sorry circle of fame and deceit? Schickel's conclusion: "Resistance," holding out against...
...more than 20 books directly confront the events of Auschwitz. Often they discuss the testamental prophets (Five Biblical Portraits, Messengers of God), ancient legend (The Golem) or contemporary Eastern Europe (One Generation After). His study of the Soviet Union (The Jews of Silence) was a new jeremiad, going beyond the crimes of the past. "People who didn't read the book thought it referred to the religious Russians no longer able to study Hebrew or to pray in public," he says. "But what it really referred to was the American Jews who knew of the situation in the Soviet Union...
...sign that someone was trying to bridge the generation gap. Konstantin Chernenko, however, strikes the young not only as a typically uninspiring ideologue of the old school, but also as uncharacteristically voluble in decrying the youth culture brought in from the West. Only last June, Chernenko delivered a jeremiad to the Central Committee contending that "our enemy is trying to exploit for its ends the specific features of youth psychology...
...bother to file tax returns from 1946 to 1955; in 1958, he was ordered to pay $35,000 in back taxes and $34,000 in penalties and interest. After Wilson and the IRS settled on $30,000, he achieved literary revenge of a sort by writing an indignant jeremiad: The Cold War and the Income Tax: A Protest...
...blue tape. There they confront the anesthetizing smile of Nixonian bureaucracy. It is also the place where the movie begins lumbering to a halt, elaborating the obvious with political ironies that stick their thumb in the viewer's eye. A story that could have made for a brisk jeremiad on 60 Minutes is stretched to 122 minutes of heroes fuming and villains purring their oleaginous apologies. Spacek and Lemmon, an appealing sweet-and-sour combo, sink in the swamp of good intentions. Perhaps Costa-Gavras should jump back on the locomotive of melodrama. When he stands still, he builds...