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...Though the mammoth exhibition attempts to stress the movement's international dimension, it ultimately recognizes that Pop Art is as quintessentially American as Jasper Johns' U.S. flag - one of the show's highlights - and serves as both an affirmation and a critique of modern American values. The show focuses on the period from 1956 to 1968 - that exuberant era between victory in World War II and defeat in Vietnam, between the bland complacency of the Eisenhower years and the twitchy paranoia of Nixon's divided nation. It was a time of prosperity and materialism that embraced such pop-cultural Meccas...

Author: /time Magazine | Title: Art Goes Pop | 4/2/2001 | See Source »

...Jasper...

Author: NO WRITER ATTRIBUTED | Title: Letters | 6/23/2000 | See Source »

...with elephant dung and speckled with pornography. "Sanitation" champions artistic expression in the face of political interference, but it is no more and indeed far less than the sum of its parts-twelve Rubbermaid garbage cans surround a framed version of the First Amendment, while an altered version of Jasper Johns's interlocking "Three Flags" painting, with one flag's corner drooping limply, hangs in the background, next to six quotes by Giuliani and perennial anti-National Endowment for the Arts stalwarts Jesse Helms, Pat Buchanan and Pat Robertson. The sound of soldiers marching can be heard emanating from...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Report from New York | 5/12/2000 | See Source »

...point of fragmentation, making it difficult to view the exhibit as a whole. The only exception to the excess of orthogonality is Haacke's diagonal placement of a framed copy of the First Amendment across the floor of the installation space. Had this object been better tied to Jasper Johns's down-turned flag, an interesting crucifixion motif might have been seen, with the twelve Rubbermaids as disciples, but as such this connection was barely noticeable...

Author: By Teri Wang, CRIMSON STAFF WRITER | Title: Report from New York | 5/12/2000 | See Source »

Further excavations in the mid-1970s under the auspices of Parks Canada, the site's custodian, made it plain that this was most likely the place where Leif set up camp. Among the artifacts turned up: loom weights, another spindle whorl, a bone needle, jasper fire starters, pollen, seeds, butternuts and, most important, about 2,000 scraps of worked wood that were subsequently radiocarbon dated to between 980 and 1020--just when Leif visited Vinland...

Author: /time Magazine | Title: Archaeology: The Amazing Vikings | 5/8/2000 | See Source »

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