Word: jaspered
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...ally themselves with contemporaries, including Sherrie Levine and Alan McCollum, who address problems of mechanical reproduction and authorship. The ICA show includes several black, rubber and Beracryl castings of mundane objects like a candle or a doggy dish. Although these hand-made "readymades" may be overly indebted to Jasper John's light bulb or flashlight castings of the early 1960s, other pieces in the exhibition toy more originally with the idea of banal objects posing as high...
...invigorating too, in the end. "Energy," wrote William Blake, "is eternal delight," and there has never been anything in American art to match the effusive, unconstrained energy of Rauschenberg's generous imagination. Compared with the more pursed, hermetic and self-reflexive Jasper Johns, Rauschenberg is and always has been a gusher. He loves the sound, smell, grunge and look of the street. He doesn't look at his sources in American vernacular--photos, movies, and junk of all kinds--with anything resembling irony or distance. He is in it up to the neck and wants...
...over before they were born, but they knew its bitterness through their spouses. DAISY ANDERSON, 96, and ALBERTA MARTIN, 90, are two of the last widows of Civil War veterans. Daisy's husband Robert Anderson was a former slave and Union soldier. Alberta married Confederate infantryman William Jasper Martin when she was 21 and he was 82. When he died, she married his grandson. The two widows met for the first time to lay a rose each on the coffin of an unknown soldier whose remains were found on a Gettysburg battlefield and reburied...
...them. De Kooning, the "slipping glimpser," as he called himself, was open to a constant stream of momentary impressions: smiles from Camel ads, shoulders from Ingres, pinups and Raphael--high and low, everywhere. In this way he became a bridge to a younger generation of painters, chiefly Jasper Johns and Robert Rauschenberg, who carried forward his exploration of the American vernacular...
...America in a way few avant-garde painters had. He loved the lushness, the grittiness, the obtrusive weirdness of American cultural vernaculars. Though by the end of the '50s, laden with celebrity, he had become the man for younger artists to beat, it is impossible to imagine Robert Rauschenberg, Jasper Johns and some of the younger Pop artists developing their visions except in response to his, or to disentangle their revolt against his gestural, richly inflected touch from their homage...