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...EVENING CONCERT--Milhaud-Le Boeuf sur le Toit; Marais-Suite in d for Viola; Janacek-Sinfonietto; Mendelssohn-Quartet No. 4; Haydn-Symphony...

Author: NO WRITER ATTRIBUTED | Title: WHRB Programs for the Week | 9/26/1960 | See Source »

Florence (May to-June 30). Celebrates the 200th anniversary of Florentine Composer Luigi Cherubini's birth with the first modern performance of his long-forgotten Elisa. The Maggio Musicale will also offer a handful of 20th century works, including Janacek's Jenufa, will feature concerts by Milan's Nuovo Quartette, the Philharmonic Orchestra of Warsaw, Violinist Isaac Stern...

Author: /time Magazine | Title: Music: A Musical Summer Guide to Europe | 6/6/1960 | See Source »

Czech Composer Leos Janacek was 40 when he started his masterpiece, the opera Jenufa. He was close to 50 when he finished the work and past 60 before he found an audience that could appreciate it. In its only U.S. production-during the 1924-25 Metropolitan Opera season, three years before Janacek's death-Jenufa (pronounced Yen-uffa) was roundly panned. In recent years, European opera houses have been looking at Jenufa with fresh admiration, and last week Chicago's Lyric Opera followed suit, gave the work its first U.S. performance in 35 years...

Author: /time Magazine | Title: Music: Czech in Chicago | 11/16/1959 | See Source »

Audiences have generally been disturbed by the sordidness of Jenufa's libretto (it hinges on the drowning of an illegitimate child), by the opera's harshly dissonant score, and its generally unmelodic vocal line. Composer Janacek derived many of his melodies from the inflections of common speech, caught them by prowling around with a notebook, jotting down overheard phrases and sentences in approximate musical notation. The result is that the orchestra becomes part of the drama. In last week's performance (which marked the U.S. debut of opulent-voiced Dutch Soprano Gré Brouwenstijn) Jenufa proved...

Author: /time Magazine | Title: Music: Czech in Chicago | 11/16/1959 | See Source »

...some 50 members of the audience, who left during the first act, Jenufa was apparently still too bleak to take. But those who stayed let loose with a volley of bravos for the cast and brilliant Yugoslav Conductor Lovro Von Matacic. It looked as if Composer Janacek, in his slow and tortuous way, might at last be winning the audience that had so long eluded...

Author: /time Magazine | Title: Music: Czech in Chicago | 11/16/1959 | See Source »

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