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...store for miles around, and also a kind of social peg tethering the two sides of the frontier. Evening soirees are held three or four times a year. "People on the other side come from 25 miles away over a rough road to a dance like this," says Bill Ivey, 32, who runs the store. Ivey grew up behind the trading post, where his father was the storekeeper. At the time, he recalls, Lajitas had an official population of just seven, four of whom were Iveys. Now a Houston company has developed a clapboard tourist town around an old cavalry...

Author: /time Magazine | Title: In Texas: Easygoing on the Border | 5/9/1988 | See Source »

...veranda's tin roof. Some local folks insist that much of the damage was caused around 1916, when Pancho Villa's men rode in for supplies during the Mexican Revolution, though there is in fact no proof that Villa or any of his men actually visited the store. Ivey is amused by the idea. "I don't know about all the bullet holes," he says, "but I do know that the roof was ventilated a few years ago at a dance. A feller felt so happy and contented about the way things were going that he pulled out a pistol...

Author: /time Magazine | Title: In Texas: Easygoing on the Border | 5/9/1988 | See Source »

Unfortunately, Lucy's day doesn't get any better. Having nibbled on a fatal Korean chicken dumpling, Lucy finds herself dying on an emergency ward table. After a year of experimenting with spells and incantations Zelda (Judith Ivey), her clairvoyant sister, somehow manages to resurrect her from the grave. Lucy returns only to find Jason aloft in a slick Manhattan high rise in bed with his new wife. And with that cold realization. Lucy puts Jason behind her and embarks on a new life...

Author: By Esther H. Won, | Title: Grave Mistake | 11/6/1987 | See Source »

Though Long and Ivey cannot be blamed for the mediocrity of the script, both actresses tend to overcompensate for its weaknesses, making things worse Fearing that these lines would not be funny in themselves, Long and Ivey try to play up these jokes physically...

Author: By Esther H. Won, | Title: Grave Mistake | 11/6/1987 | See Source »

Playwrights Horizons has become probably New York's foremost showcase for new stage writing. Its second, smaller space is now home to Driving Miss Daisy, an intimate tale of a Southern Jewish woman (Dana Ivey) and her black chauffeur (Morgan Freeman), told in vignettes ranging from just after World War II to the era of the civil rights movement. This little gem echoes decades of social change yet never loses focus on the peculiar equilibrium between servant and served. It reaches a peak when the old woman goes to a banquet honoring Martin Luther King Jr. -- an event her liberal...

Author: /time Magazine | Title: Theater: Three for A Two-Way Exchange | 5/25/1987 | See Source »

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