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Word: italianized (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...recently financial troubles forced the Sanseverinos to put their Pieta up for sale. They soon found that disposing of a masterpiece was not so easy. There were few prospective buyers for a work of art which Italian experts valued at $1,000,000 or more. Whoever bought it would also have to worry about a 90% government tax on the sale-and admit to a fortune which might be subject to more taxes in the future...

Author: /time Magazine | Title: Art: For Sale | 3/6/1950 | See Source »

...want to do people," Mussorgsky wrote a friend-"big, without any paint or tinsel." Among the paint & tinsel he avoided were the fripperies of Italian and French opera with their wooden recitatives and stagy arias, and the prettied-up harmonies of such fellow Russians as Tchaikovsky. In Khovanchina, Mussorgsky came very close to his ideal of realistic singing speech...

Author: /time Magazine | Title: Music: Blood-Warm | 2/27/1950 | See Source »

...readers who might feel tricked, Incom ran the original photographs inside, along with a diagram showing how they were mated. The stunt paid off. Incom sold a record 260,000 copies, one-third more than its usual circulation. Among the purchasers: Roberto Rossellini, who, in a fine Italian fury, telephoned Incom's office to bellow that Incom's general manager, Sandro Pal-lavicini, was a bastard. Two rival picture weeklies were less bold and less convincing-Oggi, with a cover showing Ingrid and Roberto looking fondly at a baby that was obviously several months old, and Tempo, which...

Author: /time Magazine | Title: The Press: Pastepot Wonder | 2/27/1950 | See Source »

...Bicycle Thief. Italian Director Vittorio (Shoes/tine) De Sica's carefully made classic of a worker and his small child hopelessly scouring Rome for a stolen bicycle (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Feb. 27, 1950 | 2/27/1950 | See Source »

Actress Bergman plays a piece of postwar European flotsam. As a desperate means of getting out of a D.P. camp, she marries a simple Italian fisherman (Mario Vitale) and follows him to his native Stromboli, a volcanic island where life is primitive and the islanders hostile. She is appalled to find it no less a prison than the camp she has left...

Author: /time Magazine | Title: The New Pictures, Feb. 27, 1950 | 2/27/1950 | See Source »

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