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...Ahead. The decision was entirely Coleman's, and the way he made it-and announced it-was typical of the feisty and independent approach he has taken to the nation's transportation problems since becoming Secretary last March. Coleman never even discussed the Concorde in detail with Ford or his aides. The President was pleased to allow someone else to handle the politically nettlesome question. So anxious was Coleman to keep his report secret that he had arranged to call the President only 20 minutes before the press conference at which he revealed his plan. Ford gave...

Author: /time Magazine | Title: TRANSPORTATION: Here Comes the Concorde, Maybe | 2/16/1976 | See Source »

What has the mole wrought? Is the finished film worth the pains he has taken with it-and given to his associates over the long years of its creation? The answer is a resounding...

Author: /time Magazine | Title: KUBRICK'S GRANDEST GAMBLE | 12/15/1975 | See Source »

...brand-new Mets and the old-gold Yankees. Hardly a man is now alive who remembers Casey at the bat. For the record, Stengel was a hitter who had a knack for connecting in the clutch. To use his own phrase, he treated the ball as if he hated it-and he sometimes fielded that...

Author: /time Magazine | Title: Sport: Amazin' | 10/13/1975 | See Source »

Come to think about it-and there is plenty of time to do so in The Drowning Pool-the traditional private-eye format does not suit movies all that well. It demands a rigid structure as the detective pursues his investigation like a mailman on his route, moving from door to door, picking up a shred of information, depositing another, occasionally having his appointed rounds interrupted by some mayhem...

Author: /time Magazine | Title: Cinema: Appointed Rounds | 7/28/1975 | See Source »

...original title of Lulu the Tool was The Working Class Goes to Paradise, a grand-prizewinner at Cannes in 1972. There is no good reason why it has taken so long to come Stateside-the diminishing market for foreign films probably has something to do with it-and even less cause for the U.S. distributor's cutting 28 minutes from the original. Petri obviously intended the film to have a slightly frenetic quality and edited it accordingly, as if to duplicate the nerve-shredding tension of a day in the factory. The additional cutting makes the rhythm...

Author: /time Magazine | Title: Cinema: Industrial State | 6/2/1975 | See Source »

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