Word: irma
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Soul Food is also feeling like a hit. The weekend it opened, all eyes were on DreamWorks' $70 million first feature, The Peacemaker (George Clooney! Nuclear terrorism!). But when the box-office numbers were tallied, a little-heralded African-American family drama named Soul Food (Irma P. Hall! Sweet-potato pie!) had not only grabbed the No. 3 position with $11.2 million in ticket sales but had also scored the highest per-screen average of any film in wide release: $8,363. And by last Thursday, Soul Food had taken in $3 million more, bringing its gross to more than...
...that it pushes emotional buttons with all the subtlety of a poke in the baby-back ribs. It could be a distillation of some unaired black soap opera, so predictable are the plot contrivances--adultery, pregnancy, illness, missing money--and so cartoonishly are the characters drawn. Mother Joe (Irma P. Hall) is warm, loving, doomed. One daughter, Maxine (Vivica A. Fox), is heart-smart and, since she's a mother, a font of family wisdom. Another, Teri (Vanessa L. Williams), a successful lawyer who has subsidized most of the family's extravagances, is, of course, the villain of the piece...
Many of the characters were inherently funny: a buff but sensitive astronaut named Jed Eyenite (Darin P. Goulet '97), a thpitting thucker named Sally Vader (Danton S. Char '98), an arch-browed failed villainness named Irma Geddon (Jesse J. Hawkes '99) and a nerdy Bob Marley named Cal Ipsobeat (Robert E. Schlesinger '00). Not to mention the undeniable show-stealer by virtue of costume, Hugh Jegg (Jason R. Mills '99), an enormous specimen of the ovarian persuasion who did a mean Philip Marlowe imitation...
...offending products and demand accurate information on the labels of everything they purchase. If you can have a label that says NOT TESTED ON ANIMALS, you can also have one saying NO CHILD LABOR WAS USED IN THE MANUFACTURE OF THIS PRODUCT. And make sure it is true. IRMA PARDO Mexico City...
...killed her is not in his heart. Ray has hidden his long-denied anger beneath a smoothly affable manner. Earl is hiding his more recent astonishment under stony taciturnity. But big-city circumstances force him to take refuge in Ray's home, where his blind, wise, straight-talking aunt (Irma P. Hall) maneuvers the brothers toward reconciliation...