Word: instinctive
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...institutions . . . almost like a fairy tale." But the primitive, polyglot city of Tiflis again reminded him of his mother. "Napoleon wasn't worth anything, and Hitler certainly isn't. They think they change the world, but in the last analysis everything remains as it was. . . . The human instinct for self-preservation is tough and ineradicable. Its patient, long-suffering force seems to keep pace with any historical change, and finally to outlast it." This statement of faith comes easy to Novelist Graf. It comes easier than does facing his own errant, Bohemian part in bringing on the desperate...
...doubtless conveying what practically every one of the 16 million Filipinos are saying, and would say, if allowed the chance to explode their hearts' content. These 16 million suntanned Brownies are not a specimen of a species hypothesized to be devoid of the psychology-discovered instinct of self-preservation. And in this world of Blitzkriegs; of Hurricanes and Spitfires and Junkers, and Panzer Divisions; of $5,000,000,000 defense programs and ''hemispheric defense"; of "China Incidents," and of "New Orders in Greater Asia,"-the instinct of the day (for the young, defenseless and unprepared) is self...
...Isabella Greenway King, onetime Democratic Representative from Arizona, bridesmaid 35 years ago at the wedding of Mr. & Mrs. Franklin D. Roosevelt. Said she: "Every instinct of my country tells me we should not risk a third term...
...over their foreknowledge of death-to-come if they blow up the bridge. Jordan goes through with it because he is intellectually convinced that he is helping to defeat fascism. Pilar goes through with it because she is part of the revolution and cannot stop. Pablo's strong instinct to live makes him desert at the last moment and destroy the detonator. Then he, too, realizes in his own way that "no man is an iland." He cannot stand the loneliness of desertion, returns to help dynamite the bridge...
...combining tempermental stars, feverish amateurs, and stuffy patronesses in one undersized barn. Bert Lytell and Mady Christians play the roles of the guest stars--but they act as if they thought they were the guests at the Copley as well as at Stockton, playing their parts purely on instinct and experience, with a singular lack of originality or enthusiasm. Most of their supporting cast show a vast amount of the enthusiasm the stars lack--but very little else. The only relief in the entire play is provided by Audrey Christie, who acts a tough little trouper with a shrewdness...