Word: impressionists
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Dates: during 1970-1979
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JOAN DIDION approaches writing like an impressionist painter. She places small dots quietly, precisely, to form distinct images. But step back from the painting, and the scene blurs. It is as if she washed her canvas with color, softening the detail, leaving an intense but somehow fleeting emotional moment. Like the Impressionists, she seldom makes judgements, preferring to let her images capture and sway the reader...
...ideal. The Bloomsberries aspired to a spiritual bohemianism that would throw off Victorian customs and morals. They shaded 19th century liberalism into a reformers' zeal for the good, the beautiful and the outspoken. In literature they allied themselves with the experimental; in art they coined the term post-impressionist and introduced the English public to Cezanne, Van Gogh, Matisse and Picasso...
JOAN DIDION approaches writing like an Impressionist painter. She places small dots quietly, to form distinct images. But step back from the painting, and the scene blurs. It is as if she washed her canvas with color, softening the detail, leaving an intense but somehow fleeting emotional moment. Like the Impressionists, she seldom makes judgments, preferring to let her images capture and sway the reader...
...rare occasion when he can relax at home with his wife of 36 years, "Loki." Their modest residence, situated on the Rhine within sight of the I Chancellery, is furnished in modern-functional style and decorated with expressionist and impressionist paintings. Bookcases are filled with volumes on history and economics. Schmidt occasionally relaxes with a mystery story, preferably by Agatha Christie, plays Bach or Mozart on a large electric organ, or challenges his wife at chess and double solitaire. He hates to lose at chess, as well as politics; when he does, he is apt to rail...
...point of his career was in the 1940s. He decided, in a mood of perversity, to paint "modern art" -pictures full of impressionist fuzz and expressionist slather. The Gorgon, 1943, a wretched parody of Monet applied to a surrealist syntax, may be the least inept of these. If anything, they showed how far Magritte's real gifts lay from the orthodox processes of modernism. Nor did his first essays in the surrealist manner, done in 1925-26, indicate much about the artist to come; they are, for the most part, grab bags of motifs from other painters, chiefly Ernst...