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...drifted into Le Boeuf to display an elaborate invention, part organ, part piano. The invention ir.ade slight impression on Wiener but Doucet's lazy, easy way of playing fascinated him. The pair went in for two-piano music, particularly for flowered transcriptions of U. S. jazz. Composers Igor Stravinsky and Maurice Ravel started going to hear them along with Composer Darius Milhaud, who named a pantomime Le Boeuf sur le Toit. Also went Writer Paul Morand, Painter Pablo Ruiz Picasso, Fisticuffer Georges Carpentier, the late King Ferdinand of Rumania, musical Prince Charles of Belgium. Six years...

Author: /time Magazine | Title: Music: Cafe Music | 10/26/1931 | See Source »

...that Oedipus, son of Laius, would murder his father and marry his mother, Jocasta. They served also last week to provide the material for one of Conductor Leopold Stokowski's most ambitious flights into modernistic musical production: the first U. S. stage performances of the Oedipus Rex of Composer Igor Stravinsky, an opera-oratorio with a text recast by Frenchman Jean Cocteau, then Latinized. Oedipus Rex will be repeated April 21 and 22 at Manhattan's Metropolitan Opera House, the only difference being that Harvard youths will sing the choruses instead of the Prince ton Glee Club. A sound film...

Author: /time Magazine | Title: Music: Stokowski Translates | 4/20/1931 | See Source »

...Each month TIME notes the noteworthy:* Opera: Cavalleria Rusticana by Soloists, Chorus and Orchestra of La Scala, Milan (Victor, $13.50)-Mascagni's earthy melodrama expertly played on its home field. Conductor Carlo Sabajno captains an evenly matched team. Symphonic: Stravinsky's Capriccio for Piano and Orchestra by Igor Stravinsky and the Orchestra des Concerts Straram under Ernest Ansermet (Columbia, $6)-The composer provides the lace work for the Caprice which was played with great success this winter by Sergei Koussevitzky. Glazunov's Seasons by a Symphony Orchestra under Alexander Glazunov (Columbia, $7.50)-An old-school Russian...

Author: /time Magazine | Title: Music: April Records | 4/13/1931 | See Source »

Seventeen years ago the primitive, pagan rhythms of Le Sacre du Printemps established Russian Igor Stravinsky as the most original, most compelling of modern composers. Last week in Boston his Symphonic de Psaumes (Symphony of Psalms), in spirit far removed from his sensual celebration of fertility, was given as a part of the Boston Symphony's ambitious semicentennial program. The new Stravinsky takes as text three excerpts from the Psalms (in the English version: Psalm XXXIX, Verses 12, 13; XL: 1, 2, 3; CL complete), uses a chorus to describe in Latin the transition from abject penitence to exultant...

Author: /time Magazine | Title: Music: Stravinsky in Boston | 12/29/1930 | See Source »

Sirs: After thoroughly perusing your commentary on Sacré du Printemps (TIME, April 28), we find something to which we object strenuously. Namely, the application of the word "pornographic" to the music of Igor Stravinsky. That word suggests something cheap, showy and vulgar. Brutal he may be-savage and colossally déchirant in his treatment of Sacré du Printemps, but never pornographic! Please retract-you do him a grave injustice. JOSEPH STAPLES JOHN H. HARNEY...

Author: /time Magazine | Title: Letters: May 19, 1930 | 5/19/1930 | See Source »

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