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Every Day's A Holiday (Paramount). In the peculiar idiom of show business, Mae West's art comes under the head of umph. This quality is expressed by sinuous gyrating and prurient murmurings. That this sort of thing will make money is well established. Actress West's last recorded cinema earnings (1936) were $323,000, about as much salary as Bethlehem Steel's president, Eugene G. Grace, and the chairman of its board, Charles M. Schwab, draw down together. That umph sometimes shocks the public is established...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 24, 1938 | 1/24/1938 | See Source »

When he came to Morris Ernst who is also counsel for the American Newspaper Guild, the Mayor in his peculiar idiom cried that Lawyer Ernst had "organized newspapermen into Communism." From a Guild reporter in the press section, clear and loud, came one word: "Nuts...

Author: /time Magazine | Title: LABOR: Greatest Show in Jersey | 1/17/1938 | See Source »

...reels, and whether, even if the plot held up, an audience would care about the fate of characters who were just drawings, was convinced that Walt Disney had done it again. Snow White is as exciting as a Western, as funny as a haywire comedy. It combines the classic idiom of folklore drama with rollicking comic-strip humor. A combination of Hollywood, the Grimm Brothers, and the sad, searching fantasy of universal childhood, it is an authentic masterpiece, to be shown in theatres and beloved by new generations long after the current crop of Hollywood stars, writers and directors...

Author: /time Magazine | Title: Cinema: Mouse & Man | 12/27/1937 | See Source »

Cadman believes that native composers have not yet struck the common denominator which constitutes the true American musical idiom, sees U. S. composition as too much swept by passing fancies (jazz, Indian idioms, Negro spirituals, et al.), finds extreme modernism merely "an interesting experiment." Says he: "There must be melodic line. The appeal must be to the heart as well as the head...

Author: /time Magazine | Title: Music: Gum Chewer | 12/13/1937 | See Source »

Last week in Harlem's dingy Lafayette Theatre, while a sophisticated audience squinted and chattered about esthetics, the von Grona blacks were officially presented as Art. In the pit an all-Negro "symphony" orchestra, sporting a single saxophone as a concession to racial idiom, played lukewarm jazz, the Star-Spangled Banner and Bach's Air for the G String. The evening's most pretentious item, Stravinsky's Firebird Suite, was played on a phonograph...

Author: /time Magazine | Title: Music: Black, Black | 11/29/1937 | See Source »

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