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Since being gunned down in a Harlem ballroom 27 years ago, Malcolm X, once viewed as an alarming extremist by whites and many blacks as well, has evolved into an icon in the black community, revered by African Americans ranging from Supreme Court Justice Clarence Thomas to the members of the raging rap group Public Enemy. Making a movie to satisfy all these constituencies would seem an impossible task. At various times since producer Marvin Worth sewed up the rights in 1968, novelists James Baldwin and David Bradley and playwrights David Mamet and Charles Fuller tried their hand at writing...

Author: /time Magazine | Title: The Battle to Film Malcolm X | 3/16/1992 | See Source »

...thing straight. Gloria Steinem, the leading icon of American feminism, has not turned her back on the women's movement. Quite the contrary. She has come of age with a 377-page credo on the potency of self-esteem that is rooted in nearly three decades of social activism, embraces men and women with equal fervor, and neatly hooks into the national quest for the self. With her No. 1 best seller, Revolution from Within, she has vaulted back into the public fray. "Maybe I should have done this earlier in my life," she says candidly...

Author: /time Magazine | Title: Steinem: Tying Politics to the Personal | 3/9/1992 | See Source »

Letterman, despite his status as a cultural icon, continually reverts back to a standard routine of self-deprecating humor. He'll grumble about the paucity of viewers, lack of "babes...

Author: By Brian D. Ellison, | Title: THE CHIC PHENOM OF THE '90s? | 2/22/1992 | See Source »

Hogwood, the artistic director of Boston's Handel and Haydn Society, criticized the way in which the "Mozart industry" has placed the composer on a pedestal as a cultural icon...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

...enhanced by it. Davis had delved images from the commercial culture of America before the Pop artists were even born. The classic one is Odol, 1924, in which the bent- neck bottle of a mouth disinfectant is presented, plain and planar -- name brand, slogan and all -- as its own icon, the ancestor of Andy Warhol's Brillo boxes. But Davis' work was grounded in Cubism, as that of the later artists was not; the Cubist scheme of fragments of media culture and packaging (newspaper headlines, labels and so on), absorbed into a painterly matrix, gave Davis his way of handling...

Author: /time Magazine | Title: Art: Seeing Life In Jazz Tempo | 1/20/1992 | See Source »

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