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Word: iago (lookup in dictionary) (lookup stats)
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...there is a tragedy in this "Fight of Champions," Joe Frazier is the Othello and the takers, that vast locust combine, play Iago. The prefight publicity has made it impossible for Frazier ever to be champ to black America and the rest of the world. Rather than revealing him as another black man of different convictions from Ali, the PR portrayed him as a vacuous white hope in blackface...

Author: By Tony Hill, | Title: Rip-off of the Century | 3/22/1971 | See Source »

What makes Iago evil? Envy, power-lust, money. For that they ripped off Joe Frazier, but it's an old story...

Author: By Tony Hill, | Title: Rip-off of the Century | 3/22/1971 | See Source »

...Fuller, industrialization has gone from comparative primitivity to corrupt sophistication, manipulated by public relations men, villains whom the author describes as "furtive, meddling buffoons," as if p.r. had somehow been the Iago and not the imago of the industrialist. Other Fuller ruminations seem more pertinent: his insistence, for instance, that work never disappears, and slavery is only abandoned through the substitution of machines, lends computers a certain moral purpose. His account of technological society's constantly increasing energy is, he admits, a striking reinterpretation of the miracle of the loaves and fishes. One of Fuller's practical prescriptions...

Author: /time Magazine | Title: Books: Jet Stream | 5/11/1970 | See Source »

...appeared in 18 productions, counting off-Broadway and Shakespeare-in-the-Park. Rarely, if ever, during that time has he received less than glowing notices in plays ranging from Genet's The Blacks to the gore-glutted Titus Andronicus in which Gunn played what he calls "the black Iago," Aaron the Moor. He will play the classic Moor, Othello, this summer at Stratford, Conn...

Author: /time Magazine | Title: Theater: Rolling Thunder | 4/6/1970 | See Source »

...Iago and Clive. Following the four boys and the colonel, the author explores the minds of troubled youth and the sexual and emotional problems of their parents. He also probes the impact of such contemporary events as the Viet Nam War and the cultural anomie that characterizes today's generation gap. In the hands of Clive, even the philosophical jargon of youth becomes a powerful weapon. "The Turks like things broken and helpless. Destruction is a form of possession," he observes in an Iago-like attempt to dominate the inquisitive colonel. "War is the great sexual game. You could...

Author: /time Magazine | Title: Books: Death by the Numbers | 12/19/1969 | See Source »

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