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...counted on those images to help persuade Saddam's army to surrender, inspire civilians across the country to rise against the regime and defuse global opposition to the U.S. campaign. Iraqis may yet exhibit gratitude, but the "rose petal and rice" scenario hasn't materialized yet. This doesn't hurt too much on the battlefield, but it is a real setback in the political arena...

Author: /time Magazine | Title: Inside The Strategy: 3 Flawed Assumptions | 4/7/2003 | See Source »

...first and second conventions), POWs (the third, which Rumsfeld invoked) and civilians (the fourth). The basic idea behind all four is that those in wartime who cannot or do not pick up a weapon must be treated with humanity. Not only do the combatants have an obligation not to hurt civilians, POWs and wounded fighters, but in many cases, they must also offer assistance. That may sound moistly idealistic as open combat rages in Iraq, but the conventions do have consequences: in recent years Rwandan and Yugoslav leaders have been imprisoned for wartime transgressions of the Geneva Conventions and related...

Author: /time Magazine | Title: What's Fair In War? | 4/7/2003 | See Source »

...fairness to our fallen star, Clark was not alone among the notoriously naughty. In February, the show’s producers kicked off semi-finalist Frenchie Davis after uncovering her porn-star past, shamefully ignorant of the fact that a little titilation never hurt anyone...

Author: By The Editors, | Title: Dartboard | 4/4/2003 | See Source »

...musical, too (“Bebop” is the name of the film’s spaceship), considering that it’s been decades since Paint Your Wagon wiped out the potentially entertaining future of the song-and-dance western, and it couldn’t hurt to try reviving the genre. Cowboy Bebop screens...

Author: NO WRITER ATTRIBUTED | Title: Listings, April 4-10 | 4/4/2003 | See Source »

This time around, the band plucks hand-clapped rhythms and gentle xylophones straight from Motown’s golden age. Though Linton’s vocals mostly hit the mark, she is sometimes too ambitious. Her voice never quite passes as sultry, and is over-affected enough to hurt the slower numbers. The fast songs are the album’s best, showing off the band’s post-punk roots—especially on “Languor in the Balcony” and “The Train #2.” The latter serves up distorted...

Author: NO WRITER ATTRIBUTED | Title: New Music | 4/4/2003 | See Source »

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