Word: hurt
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...their abandoned sons. The need for parental closure drove the characters played by Bill Murray in Jim Jarmusch's Broken Flowers (which took the runner-up Grand Prix), Sam Shepard in Wim Wenders' Don't Come Knocking, and William Hurt in James Marsh's The King. A similar theme, of past sins haunting and tainting the present, was the preoccupation of several other biggies: ancient murders in David Cronenberg's A History of Violence, boyhood betrayal in Michael Haneke's Hidden, slavery in the American South in Lars Von Trier's Manderlay. The Grand Palais screen was streaked with guilty...
Your co-stars resemble Shrek, yet your stunt double was a bench warmer. You weren't afraid to get hurt...
...accused by some visiting gangsters of having been a hit man in Philly. In Jarmusch's Broken Flowers, a retired computer mogul (Bill Murray) learns that 20 years ago he fathered a child who is now trying to find him. In Marsh's The King, a preacher (William Hurt) who a generation earlier fathered and abandoned a child out of wedlock must pay for his age-old sin when the son (Gael Garcia Bernal) shows up. And in Von Trier's Manderlay, set in Alabama in the 1930s, an idealistic young woman (Bruce Dallas Howard) tries to confront and cure...
...what happens. Suffice to say that this adaptation of the graphic novel by John Wagner has four outbreaks of jolting violence to give some kick to a penetrating character study; and that the real Joey Cusack has a savory showdown with his mob-boss brother Richie (played by William Hurt with a rich pleasure in menace). Mortensen, whose Tom is as stalwart as his Middle-Earth Aragorn, is completely convincing and utterly hunky -a man worth loving, no matter...
...King takes the Jarmusch film's premise and sees it from the point of view of the abandoned son. Elvis (Garcia Bernal), just out of the Navy, tracks down his father (Hurt), now a Texas preacher with a wife and two kids, like Tom in A History of Violence. The father tells Elvis to stay away from his deeply religious family, but the lad begins furtively wooing the daughter (Pell James) -presumably, his half-sister! And that is just the beginning of his machinations. By the end of the film, when Elvis comes to his father and, like a well...