Word: hunchback
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Dates: during 1960-1969
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...games she played made enemies, among them that ingenious hunchback, Alexander Pope, whose ferociously witty verses proclaimed that Lady Mary was greedy, stingy, adulterous, Lesbian, syphilitic-and on top of that she wore a dirty smock. His attacks were sickeningly effective. In her 40s Lady Mary faced a painful prospect: her name was muck, her marriage a byword, her looks a fading memory. In moving lines she said farewell to the love she never found...
...sound, fluttery echoes-are largely corrected. Critics say machine has flipped circuit; their ears hear otherwise. Musicians say now it is like playing in the bottom of huge barrel. Conductor George Szell, after conducting at hall for four weeks, describes panel's contribution: "Imagine a woman, lame, a hunchback, cross-eyed and with two warts. They've removed the warts." Schuman decides back-to-work...
...many critics see a clue to his stunted gnomes in their resemblance to the deformed dwarf, Oskar Matzerath, of German Novelist Günter Grass's bestseller, The Tin Drum. As Antes seeks to show life from a different perspective, so Grass's Oskar, a moral hunchback who reaches his third year and refuses to grow any more, sees the world from chair level. There are striking parallels, too, between writer and painter. Both were born in the decade that spawned Nazism, both learned their ABCs in Hitler schools, both burst on the cultural scene...
...want to tell you about the plot, but let me not briefly that the single thing that would make this production more cohesive would be an extraordinary Mathilde von Sahnd. Joan Abrahams, strapped into a hunchback's brace, must be a real contortionist to get through the evening; she plays the role quietly and competently. A performer with greater vitality might somehow have been able to suggest the importance and the ominousness of this figure. The production's asscts include a splendid set by Donald Mullin and fine lighting by Don Cate...
...opera's great characterizations as the lecherous old swindler in RCA Victor's Falstaff, amply supported by the other singers and by Conductor Georg Solti. In Rigoletto (Deutsche Grammophon), Dietrich Fischer-Dieskau. best known for his sorrowful lieder. proves himself equally expressive as the tragic hunchback in a powerful performance led by Rafael Kubelik...