Word: humanation
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...brought up "along the lines of least resistance" are most often the intellectually spoiled children, "flabby of mind and will." "Education should first and foremost train; and training had for its very substance the overcoming of obstacles; furthermore, every specialty is better mastered, better understood in its relation to human life and achievement, by the man who has worked hard in other subjects...
...generation, to regard wealth as at best a doubtful blessing; and, especially in its organized accumulations, as an unmixed evil. Now no one can deal candidly with the teaching of Jesus Christ without realizing that He was the revealer of principles for the guidance of human stewardship, not the propounder of microscopic rules for its daily regulation. He has taught us to face money in the strength of a great principle, and not in the pettiness of a mere rule. And so, wealth, whether you possess it or desire it is yours to desire, to employ, to enjoy...
...denying their right to be. But then, again, this is not the whole of the case. That great aggregations of capital have in them elements of peril there can be no doubt. As President Hadley has said. "The true medical treatment in the body politic as in the human body, is the physiological one to create a public spirit and a public sentiment which shall be adequate to deal with the new conditions...
...teaching, to be provided by the future occupant of the recently founded Dorman B. Eaton Professorship of Government. The writer points out that the terms of Mr. Eaton's bequest provide not merely for a new chair, but for a new sort of chair. The broader, less academic, more human teaching that Mr. Eaton hoped for will be an innovation, and if the right man be found, will be a great step in advance. The other special articles are sufficiently explained by their titles,--"The Harvard Meleager," by R. Norton '92; "The Harvard Law Clubs," by J. P. Cotton...
...neither like that of the modern French opera with its somewhat lighter mixture of the serious and the comic, nor like that of Wagner with its long monologues and extreme use of leading motives. The subject of the opera is not mythical, but one of human interest, and it makes an instant appeal to the enthusiasm and emotion of the hearer. All musicians who have made a study of "Azara" are convinced of its great originality, its striking harmonies and melodies, masterly orchestration, dramatic power and picturesque scenic features. "Azara" marks a new epoch in American music, and it will...