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...debates about that recently. In the old days, it was the empire that defined Britain. It didn't have to explain itself because it knew who it was and it felt superior to every other country in the world. With the loss of the empire, its ego took a huge battering and there was never any equivalent to help cement the people together and give them an identity...

Author: /time Magazine | Title: Sarah Lyall on Why the Brits Are Different | 9/4/2008 | See Source »

...huge opera buff, but my exposure to classic opera has suggested that the sensibility of that is quite different from what I'm doing. That's not arrogance; it's just a statement of fact. And I think there's a desire in the world of opera to modernize. There's such an appearance these days of modern operas done often by directors who are not versed in classic opera, often film directors. If the art form is to survive and to have new audiences, than there have to be new operas. And they can't have the same sensibility...

Author: /time Magazine | Title: David Cronenberg Tries Opera | 9/4/2008 | See Source »

...might say you accidentally went mainstream in 1986 with The Fly, a huge box-office success following many obscure, often controversial films. Was that an artistic turning point in your career...

Author: /time Magazine | Title: David Cronenberg Tries Opera | 9/4/2008 | See Source »

...then you can do your art film. To me, The Fly was as much an art film as anything I was going to do - but there was Dead Ringers that I'd been trying to get made. Yet even after I did The Fly, it still was a huge struggle. Then I realized something that I had intuited already, which is: those people in Hollywood are very down to earth, they're very practical. You walk in with The Fly, they can see it. You walk in with two gynecologists who end up dead, they don't want to make...

Author: /time Magazine | Title: David Cronenberg Tries Opera | 9/4/2008 | See Source »

...Hirst's career always threatens to amount to a core of genuine invention surrounded by a vast penumbra of middling merchandise. In all likelihood the huge Sotheby's sale will be another milestone in his financial victory march. But it may also be a terminus, a house-cleaning by a man overtaken by his own success. Hirst has been thinking out loud lately about finding some new directions. For one thing, he says he's going to quit doing the spin and butterfly paintings, and slow down the production of animals in vitrines. He's said this before, but this...

Author: /time Magazine | Title: Damien Hirst: Bad Boy Makes Good | 9/4/2008 | See Source »

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