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Word: horror (lookup in dictionary) (lookup stats)
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This year, I went home looking forward to spending some quality time in our cozy kitchen cooking up goodies for both Thanksgiving and Chanukah. When I arrived home, the cupboards instantly reminded me of a holiday horror--my parents had turned health conscious. There was no sugar (my father's a diabetic), no cholestoral (he has high cholestoral), no salt (high blood pressure) and nothing of flavor in the house (no tastebuds either...

Author: By Beth L. Pinsker, | Title: Chanukah in the 90's | 12/6/1991 | See Source »

...lighting effects add significantly to the desperation of Hamlet's world. Claire van Kampen's score of trumpets, strings, percussion and piano-coordinated with sounds of wind, sea and rain-compliments the mood of accompanying scenes. The thundering chords, lighting and unearthly chanting of "Sanctus Spiritus" heighten the horror of the Ghost scenes. Strains of piano and strings underlying loving scenes between Claudius and Gertrude and later among Laertes, Ophelia and Polonius reveal the fragility of those moments...

Author: By Dvora Inwood, | Title: The Madness of Hamlet's World | 12/5/1991 | See Source »

Americans did hear horror stories -- of civilians massacred in Japanese air raids on undefended Shanghai and of the Rape of Nanking, a month of slaughter that cut down more than 200,000 civilians. Roosevelt talked of "quarantining" Japan, but American ships went on supplying Tokyo with American oil and steel. Times were hard, and business was business...

Author: /time Magazine | Title: Day of Infamy | 12/2/1991 | See Source »

...secrets: this spook sonata sounds like a forced merger of Home Alone and Arsenic and Old Lace. The movie is all setup and little payoff, but writer-director Wes Craven (the first Nightmare on Elm Street) and a good cast make it fun. Sometimes the best part of a horror movie is waiting to be scared...

Author: /time Magazine | Title: Critics' Voices: Nov. 25, 1991 | 11/25/1991 | See Source »

Holland's talents shine in the scenes of her rape, on her 11th birthday by a white town elder, and her mother's murder. She has an infallible ear for the emotional pace of a scene, letting the horror be just blunt enough for just long enough, then segueing into the release of laughter. She finds the right detail: the raped child from the shacks eyeing an exquisite carved bouquet on the banister as she struggles back downstairs; dogs sniffing at a patch of the mother's burnt skin scraped onto the sidewalk. Her dialogue can jolt the audience with...

Author: /time Magazine | Title: Playwright's Own Story | 11/25/1991 | See Source »

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