Word: horror
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...sent him to bed after he had told her the story. Only she and God knew what he had said--and Amy wanted to make sure someone else heard from Ron's own lips the enormity of his crime. He was the only proof she had. Then, the horror story echoing in her head, the words hanging in the air of the house in Franklin, Ind., they had scrimped and saved to buy, she stayed up to make sure he did not do anything to himself. They had loved each other very much--or so she had thought...
...last summer's type of teen-scream movie. The new films, a dozen due for release this year, are essays in mature terror, for and about grownups, with big or serious stars and a few A-list directors. For the moment, slasher films are deader than a naked cheerleader. Horror is going both artsy, in the Method madness of The Blair Witch Project, and adult, in the domestic suspense of Stir of Echoes. Renouncing sicko-kid melodramas for a mix of ghost stories and satanic parables, Hollywood is pursuing subtler demons, deeper themes: matters of life and death, life after...
RECOVERING. STEPHEN KING, 51, horror novelist; from injuries sustained after he was hit by a van near his Lovell, Me., summer home; at a hospital in Lewiston. King underwent surgeries for leg and hip fractures and a collapsed lung...
History and horror, crime and war, sci-fi and sexual transgression. He may have made only 13 feature films in the course of his 46-year career, but Stanley Kubrick covered a range that more prolific filmmakers might--and often did--envy. But whether the films were set in the deep past or the near future, whether their prevailing tone was comic or violent, sly or brutish, weary or idealistic, Kubrick really made the same movie over and over again--vivid, brilliant, emotionally unforgiving, imagistically unforgettable variations on the theme that preoccupied him all his mature life...
...TIME's article on my book The Holocaust in American Life [HISTORY, June 14], I am said to argue that the Holocaust is "unworthy of American tears." To the contrary, I repeatedly state in the book that tears--along with horror and awe--are perfectly appropriate ("worthy") responses to the Holocaust. My quarrel is with the notion that all these tears accomplish much. This, and not their worthiness, is the reason I ask in the book "why the eliciting of these responses from Americans is seen as so urgently important a task." PETER NOVICK Chicago...