Word: hooker
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Bond started at mid field, slipped off one Yale forward, dodged another with a fake pitch and tripped up a third with a graceful stutter step before slipping a pass to hooker Tom Grady, who ran the ball...
...think that the Confi Guide is a potentially useful aid to undergraduates. I hope that its potential can be better realized. Michael Hooker, Chm., Bd. of Tutors Department of Philosophy...
...sick society when Gould's caricature is at work. He's riding on a great big California high, living in a house where there's no sense of time, where breakfast is Froot Loops and beer, where people "crash" when their "action" cycle runs out, where an aging hooker named Barbara gropes around looking for "The Guide." They're all too exhilirated by the California high to be sordid, and Gould's love of gambling for its own sake undercuts Segal's tortured loser. With these two side by side the film can't have any point of view about...
...munch hot dogs during practice sessions with the Yankees, once put away an omelet made of 18 eggs and three big slices of ham. He was equally omniverous about girls. During a road-trip series with the Browns, Ruth announced that he was going to bed with every hooker in a St. Louis whorehouse-and he proved as good as his word. He spent his enormous salary ($80,000 in 1930) on clothes, women and cars which he often wrecked or petulantly abandoned, though he once gave a 1925 Cadillac to Brother Matthias out of gratitude...
ROAD MOVIE is a pitifully clumsy yarn about a couple of truckers (Robert Drivas, Barry Bostwick), the hooker they pick up for relaxation (Regina Baff), and the interstate agonies of owning a rig and trying to haul your freight to Chicago on time - before the gas crisis. Director Joseph Strick has made several other films (The Balcony, Ulysses), although it is not apparent here. Road Movie is a shambling hour and a half padded out with highway footage photographed from the truck's cab. The woman's character is the most interesting in the film, though there...