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...definitely dangerous," says Jason D. Holzman...

Author: By Gia Kim, | Title: Price is Right for DeWolfe Cable | 10/3/1991 | See Source »

Kagan's colleagues were unequivocal in lauding the significance of his work. Philip S. Holzman, Rabb professor of psychology, said, "[Kagan's work] is state of the art research with an attractive feature--it effectively bridges the domains of behavior and physiology...

Author: By Roger G. Kuo, | Title: Psychologist Finds Shyness Inherited, But Not Permanent | 3/4/1991 | See Source »

...that sense, [this research] has an important statement to make on the mind-body problem," Holzman said. "It is a major contribution to our understanding of the unfolding of human development...

Author: By Roger G. Kuo, | Title: Psychologist Finds Shyness Inherited, But Not Permanent | 3/4/1991 | See Source »

...full-blast cacophony. Where but in Tinseltown could you see such an overlay of styles? First, the flaccid institutional moderne of the original buildings designed by William Pereira in the early '60s. Then the deco-ish hulk of stripes and glass blocks shoved in front of it by Hardy Holzman Pfeiffer in 1986. And now the only major public building by America's maestro of post-Wrightian, off-the-wall kitsch, Bruce Goff...

Author: /time Magazine | Title: Art: Splendor Packaged In Kitsch | 10/3/1988 | See Source »

...Music is puckish too, but in a different way. An abandoned turn-of-the-century beaux arts vaudeville hall, it has been transformed into a performance space (and folly) in which Avant- Garde Director Peter Brook could present his 9 1/2-hour epic, The Mahabharata. The firm of Hardy Holzman Pfeiffer Associates has implanted modern plumbing and electrical systems but otherwise has maintained the look of desuetude: chipped plaster and peeling paint, exposed beams and brickwork. The Piranesianism is a bit coy, maybe, but more affecting than much standard spic- and-span preservation...

Author: /time Magazine | Title: Design: Echoes of The Past, Visions for the Present | 1/4/1988 | See Source »

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