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CORNELIA HOLLANDER

Author: /time Magazine | Title: Letters, Sep. 5, 1955 | 9/5/1955 | See Source »

Yet once again impressive acting came to the rescue and gave The Tribe some fascinating moments. Bill Wharton was especially appealing as a diffident little savage, and Carol Cohen expressed the tribe's philosophy with remarkable naturalness. As other savage, Dick Merlo, Fenton Hollander, Mimi Martinez, and Erich Segal were...

Author: By Stephen R. Barnett, | Title: New Theatre Workshop: 6 | 5/6/1955 | See Source »

Miss Smith proved to have a pleasing voice, though it was impossible to understand her words. Simon made every syllable perfectly clear. He was joined by soprano Ann Hollander and the two viols in an extraordinarily moving performance of the deservedly popular Ich sag ade; but why, the second time...

Author: By Caldwell Titcomb, | Title: The Renaissance Choir | 5/2/1955 | See Source »

This was not the case with the Tennessee Williams play, a choice beyond the abilities of the actors and the director. Although John Bernard, Michael Harwood and Fenton Hollander all revealed a possibility of success in their portrayals, failure to pick up lines and a tendency to throw away important...

Author: By John A. Pope, | Title: Three One-Act Plays | 4/22/1955 | See Source »

Poetrywise, Audience has contained works by Donald Hall, Byron Vazakas, John Hollander, and Edward Honig. The second issue printed a previously unpublished scene from William Alfred's Agamemnon in the same modern idiom which characterizes the reworking of the play as it recently appeared. The most remarkable of the single...

Author: By John A. Pope, | Title: Audience 1, 2, & 3 | 3/11/1955 | See Source »

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